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Sonnet 78 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the rhyme scheme, abab cdcd efef gg and is composed in iambic pentameter, a metre based on five feet in each line, and two syllables in each foot, accented weak/strong.
Although Robin Hackett makes a considerably in-depth argument that Shakespeare's Sonnet 7 may be read in context with Virginia Woolf's The Waves as the story of an imperialistic "sun hero", [4] the potential bending of Shakespeare's work this analysis threatens may be best illustrated by the substantial lack of any other criticism seeking the ...
The Shakespeare Company (2004) Cambridge University Press; The First Quarto of Henry V by William Shakespeare, editor, (2000) Cambridge University Press; Staging in Shakespeare's Theatres, with Mariko Ichikawa (2000) Oxford University Press; William Shakespeare: The Extraordinary Life of the Most Successful Writer of All Time (1996) HarperCollins
Sonnet 26 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence. The sonnet is generally regarded as the end-point or culmination of the group of five preceding poems. It encapsulates several themes not only of Sonnets 20–25, but also of the first thirty-two poems ...
Many critics seem to agree with H.E. Rollins that Shakespeare's Sonnets "provide direct evidence concerning Shakespeare's private life". [7] There was even a scholar who posed the idea that the sonnets are divided into "two groups: all those which suggest moral irregularities are 'dramatic'; the rest are written in Shakespeare's own person". [8]
Sonnet 6 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the Fair Youth sequence. The sonnet continues Sonnet 5, thus forming a diptych. It also contains the same distillatory trope featured in Sonnet 54, Sonnet 74 and Sonnet 119. [2]
Sonnet 130 satirizes the concept of ideal beauty that was a convention of literature and art in general during the Elizabethan era. Influences originating with the poetry of ancient Greece and Rome had established a tradition of this, which continued in Europe's customs of courtly love and in courtly poetry, and the work of poets such as Petrarch.
Sonnet 94 forms part of the "Fair Youth" sequence, where in sonnets 87-96 the Youth is seen as potentially fickle and unreliable. In 90-93 the Youth seems ready to abandon the poet and forget past promises; it is possible that some act or failure to act, or some statement, in the real-life circle of the Youth's admirers has convinced the poet that his beloved is one of those who moves others ...