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Psychedelic music (sometimes called psychedelia) [1] is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness.
The song's instrumentation contains the titular tambourine as well as an electric sitar, [10] a frequent signature of the so-called "psychedelic sound". Another hook is the heavy, psychedelic tape echo applied to the word "play" in each chorus and at the end, fading into a drumroll ("Listen while I play play play play play play play my green ...
Nuggets is a series of compilation albums, started by Elektra Records in 1972 [1] and continued by Rhino Records thereafter. [2] The series focuses primarily on relatively obscure garage and psychedelic rock songs from the 1960s, but with some hits and pop-oriented songs also included.
Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964–1969 is a four-disc box set from Rhino Records, released in 2001. [4] [5]While the original Nuggets compilation concentrated on the American pop and rock scene, the second Nuggets shifted its focus to the rest of the world, collecting cuts from the United Kingdom (such as The Pretty Things and Small Faces), Canada (The ...
The Psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s [1] to the mid-1970s. [2] The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world .
"Everyone's Gone to the Moon" is the debut single by the English singer-songwriter and record producer Jonathan King. It was released in 1965 while King was still an undergraduate at Cambridge University.
Download QR code; Print/export ... The following is a list of artists considered to be general purveyors of the psychedelic rock genre ... [59] [60] [61] The Great ...
In October 1966, the band re-recorded a psychedelic pop-oriented cover of "(I'm Not Your) Stepping Stone", along with the new composition "Talk to Me" for the respective A-side and B-side of their debut single. The record became a regional hit, peaking at number 11 on the Wonderful Radio London Fab 40 charts. [4]
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