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In alchemy, the Magnum Opus or Great Work is a term for the process of working with the prima materia to create the philosopher's stone. It has been used to describe personal and spiritual transmutation in the Hermetic tradition , attached to laboratory processes and chemical color changes, used as a model for the individuation process, and as ...
The philosopher's stone [a] is a mythic alchemical substance capable of turning base metals such as mercury into gold or silver; [b] it was also known as "the tincture" and "the powder". Alchemists additionally believed that it could be used to make an elixir of life which made possible rejuvenation and immortality .
An 1874 engraving showing a probably apocryphal account of Newton's lab fire. In the story, Newton's dog, Diamond, started the fire, burning 20 years of research.Newton is thought to have said: "O Diamond, Diamond, thou little knowest the mischief thou hast done."
The squared circle: an alchemical symbol (17th century) illustrating the interplay of the four elements of matter symbolising the philosopher's stone. Antimony ♁ (in Newton), also ; Arsenic 🜺 Bismuth ♆ (in Newton), 🜘 (in Bergman) Cobalt (approximately 🜶) (in Bergman) Manganese (in Bergman)
Flamel has been portrayed in popular fiction as a legendary figure who holds the key to immortality or the philosopher's stone. In Victor Hugo 's novel Notre Dame de Paris (1831), the tragic main character Claude Frollo is a young priest and alchemist who spends much of his time studying the carvings in Les Innocents , trying to fathom Flamel's ...
In alchemy and philosophy, prima materia, materia prima or first matter (for a philosophical exposition refer to: Prime Matter), is the ubiquitous starting material required for the alchemical magnum opus and the creation of the philosopher's stone. It is the primitive formless base of all matter similar to chaos, the quintessence or aether.
Alchemy was a series of practices that combined philosophical, magical, and chemical experimentation. One goal of European alchemists was to create what was known as the Philosopher’s Stone, a substance that when heated and combined with a non precious metal like copper or iron (known as the “base”) would turn into gold.
Projection was the ultimate goal of Western alchemy. Once the philosopher's stone or powder of projection had been created, the process of projection would be used to transmute a lesser substance into a higher form; often lead into gold. Typically, the process is described as casting a small portion of the Stone into a molten base metal.