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Currently, the ruins of Fort San Lorenzo and the Chagres village site are contained within the 30,000 acres (12,000 ha) of the San Lorenzo Protected Area, all former Canal Zone territory. [ 11 ] In 1980, UNESCO declared Fort San Lorenzo, together with the fortified town of Portobelo about 30 miles (48 km) to the northeast, to be a World ...
Basilica of San Lorenzo 1523–1559: Florence Plans for new City fortifications 1528–1529: Florence Tribune for the Relics Basilica of San Lorenzo 1531–1532: Florence Piazza del Campidoglio complex Capitoline Hill 1536–1546: Rome Palazzo Farnese 1546: Rome Plans for St. Peter's Basilica (especially for the dome) 1546–1564: Rome Plans ...
The Miracle of the Cross at the Bridge of S. Lorenzo (Italian: Miracolo della Croce caduta nel canale di San Lorenzo) is a tempera-on-canvas painting by Italian Renaissance artist Gentile Bellini, dating from c. 1500. It is now housed in the Gallerie dell'Accademia, in Venice.
The two painters frescoed the Abbey of San Lorenzo in Doliolo, [2] the Church of San Domenico, and the old Cathedral of Saint Maria della Pieve in San Severino. Some of their paintings are displayed in the Pinacoteca Civica Padre Pietro Tacchi Venturi in San Severino Marche, including the Mystical Marriage of St Catherine by Lorenzo alone in 1400.
Chiesa di San Gallo was dedicated to the seventh century saint, Saint Gall of Ireland. According to Giorgio Vasari, Lorenzo loved the design so much that he started referring to Giuliano as Giuliano da San Gallo. [8] Eventually, the name caught on and Giuliano jokingly told Lorenzo that his actual surname, Giamberti, would be forgotten.
Saint Jerome in His Study is a c. 1445–1446 painting by Colantonio, a painter active in Naples between 1440 and around 1470.It shows the strong influence of contemporary Flemish and French art on the painter and originally formed part of a multi-panel altarpiece for the church of San Lorenzo Maggiore, later split up.
Detail. Marriage of the Virgin or the Ginori Altarpiece is a 1523 oil on panel painting by Rosso Fiorentino, signed and dated by the artist. [1] It was commissioned by Carlo Ginori for the chapel dedicated to the Virgin Mary and Saint Joseph, in the Basilica of San Lorenzo, in Florence, previously owned by the Masi family that chapel had been acquired by the Ginori family in 1520. [2]
San Biagio, Montepulciano, 1518 — consecrated 1529 [1] Antonio da Sangallo the Elder (c. 1453 – 27 December 1534) was an Italian Renaissance architect who specialized in the design of fortifications.