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Gibson Maestro FZ-1 Fuzz-tone. The Maestro FZ-1 Fuzz-Tone was the first widely marketed fuzz distortion guitar and bass effect. Introduced in 1962, it achieved widespread popularity in 1965 after the Rolling Stones guitarist Keith Richards prominent use of the FZ-1 on the group's hit, "Satisfaction".
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
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The Fuzz Face is particularly similar to the Sola Sound unit known today as the "Mk1.5" Tone Bender. The main difference is that the Fuzz Face is biased slightly colder, making it more usable in warm environments. [clarification needed] The original instructions even described the Fuzz Face as a "Tone-Bending" unit. [3]
The Maestro FZ-1 Fuzz-Tone was the first widely marketed fuzz distortion guitar and bass effect. Introduced in 1962, it achieved widespread popularity in 1965 after the Rolling Stones guitarist Keith Richards prominent use of the FZ-1 on the group's hit, "(I Can't Get No) Satisfaction". Later in 1965, the design was slightly modified and ...
Octave pedals can be used in conjunction with fuzz (see octafuzz) and/or distortion. It can be used on guitar to make it sound more aggressive (such as the lead-in solo by Prince on When Doves Cry) or sound like a bass. The song Seven Nation Army by The White Stripes features an octave pedal on electric guitar, simulating the sound of a bass. [1]
The controls are 'Balance' (volume), 'Expander' (fuzz amount), a two position 'tone' switch, and an on/off footswitch on top. There are two unique features of this device that set it apart from other distortion and fuzz pedals. The first is that the full-wave rectification of the circuit produces an upper octave as well as a slight lower octave.
Bill Wyman in one of the earliest uses of this type of guitar played with a growling fuzz bass tone on the 1966 Rolling Stones songs "Under My Thumb," "Flight 505" and "Think" from their album Aftermath. Fuzz bass is a style of playing the electric bass or modifying its signal that produces a buzzy, distorted, overdriven sound, as the name implies.