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The earliest known Danish traditional music comes from the handwritten tune collections of musicians, such as the large collection of tunes by Rasmus Storm (ca. 1760). ). Collection of Danish folkmelodies began in the early 19th century, and figures such as Svend Grundtvig (1824–83), A. P. Berggreen (1801-80) and Evald Tang Kristensen (1843-1929) published significant collections of tunes and
Danish traditional music experienced a renaissance when the Anglo-American folk song wave hit Denmark around 1970. Among the prominent soloists, often composing new songs, were Sebastian, Poul Dissing and Niels Hausgaard. The successful Lars Lilholt Band led by the violinist Lars Lilholt combines the folk
Music scholars, journalists, audiences, record industry individuals, politicians, nationalists and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal or ethnic lines, and all such peoples will likely use different criteria to decide what ...
Folk festivals in Denmark (3 P) G. Danish folk music groups (3 C, 11 P) M. Danish folk musicians (1 C) S. Danish folk-song collectors (1 C, 5 P)
African American; Anglo-American; White Australian; Cajun and Louisiana Creole; Caribbean-British; Immigrants to Australia; Immigrants to the United States; Indian-British; Indo-Caribbean; Irish- and Scottish-Canadian; Irish- and Scottish-American; Latino-American; Tex-Mex and Tejano
Most songs of the Colonial and Revolutionary periods originated in England, Scotland and Ireland and were brought over by early settlers. According to ethnomusicologist Bruno Nettl, American folk music is notable because it "At its roots is an English folk song tradition that has been modified to suit the specific requirements of America."
Nordic folk music includes a number of traditions of Nordic countries, especially Scandinavian. The Nordic countries are Iceland , Norway , Sweden , Denmark and Finland . The many regions of the Nordic countries share certain traditions, many of which have diverged significantly.
The American folk music revivalists of the 1930s approached folk music in different ways. [101] ... like Psalmodicon of Denmark, Sweden, and Norway. [275]
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