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Juno Borrowing the Belt of Venus by Élisabeth Vigée Le Brun (1781). The magical Girdle of Aphrodite or Venus (Greek: ἱμάς, himás: 'strap, thong'; κεστός, kestós: 'girdle, belt'; Latin: cingulum Veneri, cestus Veneris), variously interpreted as girdle, belt, breast-band, and otherwise, is one of the erotic accessories of Aphrodite, the Greek goddess of love and beauty.
Aphrodite (/ ˌ æ f r ə ˈ d aɪ t iː / ⓘ, AF-rə-DY-tee) [a] is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretized Roman goddess counterpart Venus, desire, sex, fertility, prosperity, and victory. Aphrodite's major symbols include seashells, myrtles, roses
Sandro Botticelli Uffizi Gallery, Florence 1484–1486 Nicolas Poussin, 1635–36, Philadelphia. Through the desire of Renaissance artists reading Pliny to emulate Apelles, and if possible, to outdo him, Venus Anadyomene was taken up again in the 15th century: besides Botticelli's famous The Birth of Venus (Uffizi Gallery, Florence), another early Venus Anadyomene is the bas-relief by Antonio ...
The Venus de Milo or Aphrodite of Melos [b] is an ancient Greek marble sculpture that was created during the Hellenistic period. Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC.
The Venus Callipyge, also known as the Aphrodite Kallipygos (Greek: Ἀφροδίτη Καλλίπυγος) or the Callipygian Venus, all literally meaning "Venus (or Aphrodite) of the beautiful buttocks", [a] is an Ancient Roman marble statue, thought to be a copy of an older Greek original.
Some of the best known Hellenistic sculptures are the Winged Victory of Samothrace (2nd or 1st century BC), the statue of Aphrodite from the island of Melos known as the Venus de Milo (mid-2nd century BC), the Dying Gaul (about 230 BC), and the monumental group Laocoön and His Sons (late 1st century BC). All these statues depict Classical ...
Aphrodite's winged little son Eros, the god of romantic love, is similarly trying to assist his mother fight off her assaulter by grasping Pan's right horn and pushing him away. [ 1 ] [ 3 ] Pan leans on a tree trunk (the statue's marble support) covered with animal's skin, and has left his hunting stick at the foot of the trunk. [ 1 ]
A surviving example on a red-figure pyxis from the late 5th century BC shows Hedylogos alongside his brother Pothos drawing the chariot of Aphrodite. To the Romans he was known by his Latinized name Hedylogus .