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The trio was part of Japan's cultural propaganda efforts during the Second World War, aimed at promoting the Greater East Asia Co-Prosperity Sphere—a concept that sought to create a bloc of Asian nations ruled by Japan, ostensibly free from Western imperialism due to being controlled by the Japanese colonial empire. [1]
Japanese propaganda poster featuring Japanese agrarian immigrants in Manchukuo, designed for English speakers. The Allies were also attacked as weak and effete, unable to sustain a long war, a view at first supported by a string of victories. [176] The lack of a warrior tradition such as bushido reinforced this belief. [177]
Propaganda activities in Japan have been discussed as far back as the Russo-Japanese War of the first decade of the 20th century. [2] Propaganda activities peaked during the period of the Second Sino-Japanese War and World War II. [3] [4] Scholar Koyama Eizo has been credited with developing much of the Japanese propaganda framework during that ...
In Japan, sound trucks (街宣車, gaisensha) are vehicles equipped with a public address system. They have been used notably in political and commercial contexts, and have one or more loudspeakers which can play a recorded message or recorded music as the truck tours through neighborhoods. In the political world, they are used by parties ...
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The American Division radio announcers section was headed by Yuichi Hirakawa, a native Japanese with a degree in Dramatics from the University of Washington. Tsuneishi acquired a veteran radio announcer with the capture of Australian Army Major Charles Cousens , who had been a popular and highly regarded news commenter in Sydney before the War.
Shashin Shūhō (Japanese: 写真週報; Weekly Photographical Journal) was an illustrated propaganda magazine of the Cabinet Intelligence Department which was published in Japan between 1938 and 1945. It was one of the most successful propaganda publications of Japan.