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"Bittersweet" is a single by the cello rock band Apocalyptica in collaboration with Ville Valo (of HIM) and Lauri Ylönen (of The Rasmus). [1] The music is by Apocalyptica, the lyrics by Ville Valo and the vocals by Ville Valo and Lauri Ylönen. The song is written for four cellos and voice, but there are versions for just the cello quartet ...
Apocalyptica is the fifth studio album by the Finnish symphonic metal band of same name.Although Mikko Sirén has been with Apocalyptica two years prior to this release, he was not an official member of the band until after this release, but this is still his first release with the band along with the band having a drummer for their first time.
Apocalyptica celebrated their 20th anniversary of the first album Plays Metallica by Four Cellos in 2016 and it was re-released with 3 brand new bonus tracks. In February 2019, the band released their first single with Finnish lyrics, featuring Sanni and Tippa. They performed the song at the 2019 Emma Gala in Helsinki. [24]
As a band, they have released ten studio albums, that have charted in their native Finland, Austria, France, and in the United States. In addition to their tenstudio albums, also released are two compilation albums, one soundtrack, one live album and three DVD albums. Apocalyptica have released 13 singles to date, including two number ones.
Bittersweet. Lauri Ylönen – lyrics, vocals also on "Life Burns!" Ville Valo – lyrics; Quutamo. Manu – on "En Vie" Marta Jandová – on "How Far" & "Wie Weit" Repressed. Max Cavalera – lyrics, also songwriting on "Refuse/Resist" Matt Tuck – lyrics; Path Vol. 2. Sandra Nasić – lyrics; Clemens Matzenik – engineering at Horus; Hope ...
‘Cause baby, now we got bad blood (hey!) Now we got problems. And I don’t think we can solve ‘em. You made a really deep cut. And baby, now we got bad blood (hey!) Band-Aids don’t fix ...
The band plays in a small room with a low ceiling (Adam Gontier has to hunch over in order to stand). Next, the video shows members from the band and other women entering in and out of little doors. In the next scene, it shows the band, Gontier, and more women in a hallway standing still, dancing, walking and playing. Then, three women enter.
The more-is-not-necessarily-better conundrum confronts the creators of “Scream of My Blood: A Gogol Bordello Story,” a Vice News documentary about the punk folk band Gogol Bordello and Eugene ...