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The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as "taxidermy". [1] The word taxidermy is derived from the Ancient Greek words τάξις taxis (order, arrangement) and δέρμα derma (skin). [2]
Proper handling techniques are essential to protect specimens from damage. Conservators will inspect taxidermy specimens for signs of weakness or detachable parts before moving the object. It is important for anyone handling taxidermy to remove jewelry, such as watches, rings, or bracelets, that may scratch or snag parts of the specimen.
As documented in Frederick H. Hitchcock's 19th-century manual entitled Practical Taxidermy, the earliest known taxidermists were the ancient Egyptians and despite the fact that they never removed skins from animals as a whole, it was the Egyptians who developed one of the world's earliest forms of animal preservation through the use of injections, spices, oils, and other embalming tools. [3]
Taxidermy or elements of taxidermy are also used in branches of bio art. [6]: 12 Whole preserved animals or parts of animals, such as their skins, are sometimes used in this art. Bio art and traditional taxidermy can be seen as being in conflict based on artistic philosophies of authenticity and the purpose behind representation.
Morris would go on to author and publish the book Van Ingen & Van Ingen - Artists in Taxidermy in 2006 [3] which outlines the quality, complexity and history of what once was one of the world's largest taxidermy firms. The book also contains actual photocopies of the factory workbook records of the Van Ingen work flow.
"Animal style" deer, (8-7th century BC) Arzhan kurgan, Tuva. Ordos culture, belt buckle, 3rd–1st century BC. Animal style art is an approach to decoration found from Ordos culture to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period, characterized by its emphasis on animal motifs.
James Arnold Dickinson, MBE, (born 1950, Leeds) is a British conservation-restoration taxidermist who repaired mounted animal skins and skeletons for museums in the United Kingdom for 40 years. Among his restoration works are the Leeds Irish elk , the Leeds polar bear (a "prized exhibit"), the Armley Hippo , and the Warrington seal (Warrington ...
Walter Potter (2 July 1835 – 21 May 1918) [1] [2] was an English taxidermist noted for his anthropomorphic dioramas featuring mounted animals mimicking human life, which he displayed at his museum in Bramber, Sussex, England.
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