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Strand was particularly influential in her development of cropped, close-up images. She received unprecedented acceptance as a female artist from the fine art world due to her powerful graphic images. [6] Depictions of small flowers that fill the canvas suggest the immensity of nature and encourage viewers to looks at flowers differently. [2]
More images: 1881 to 1882 Trees on the river bank [11] Unknown 010 16 × 25 More images: 1881 The Forest at Pontaubert [12] Metropolitan Museum of Art, New York City 012 79.1 × 62.5 More images: 1882 Peasants Driving Stakes [11] Private Collection 013 14.5 × 24 More images: 1882 Field in Barbizon [11] Private Collection 016 15.9 × 24.1 More ...
Pierre-Joseph Redouté (French pronunciation: [pjɛʁ ʒozɛf ʁədute], 10 July 1759 – 19 June 1840), was a painter and botanist from the Austrian Netherlands, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large coloured stipple engravings. [1]
Vase with Daisies and Anemones (F323), also known as Flowers in a Blue Vase, was painted late in Van Gogh's stay in Paris. The vase holds a lively selection of daisies and anemones made with a range of colors. Dark red-brown is enlivened by shades of yellow, pink and white.
Three House Pictures: 19.4 x 42.9 Philadelphia Museum of Art: Oil and watercolour on paper, on board 1921 All Souls' Picture: 40 x 53.7 Metropolitan Museum of Art, New York Watercolour and ink on paper, on cardboard 1921 The Primeval Couple: 31.2 x 48 Pinakothek der Moderne, Munich Watercolour and oil on paper 1921 Flower Family V: 24.1 x 16.2
The colours for the painting are usually accomplished with naturally coloured sand, crushed gypsum (white), yellow ochre, red sandstone, charcoal and a mixture of charcoal and gypsum (blue). Brown can be made by mixing red and black; red and white make pink. Other colouring agents include corn meal, flower pollen, or powdered roots and bark.
According to Chagall himself, he started working on the painting in the 1930s when he lived in Paris, and he finished the work when he was mourning the death of his wife Bella. The image is predominantly blue and shows a bouquet of flowers in the center. Above the flowers, two lovers float in the air. An angel enters through the window.
IKB 191 (1962), one of a number of works Klein painted with International Klein Blue. International Klein Blue (IKB) is a deep blue hue first mixed by the French artist Yves Klein. IKB's visual impact comes from its heavy reliance on ultramarine, as well as Klein's often thick and textured application of paint to canvas.
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