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In Renaissance poetry, and particularly in sonnets, the contrast was similarly used as a poetic argument. In such verse, the entire poem argues that two seemingly alike or identical items are, in fact, quite separate and paradoxically different.
Renaissance literature refers to European literature which was influenced by the intellectual and cultural tendencies associated with the Renaissance.The literature of the Renaissance was written within the general movement of the Renaissance, which arose in 14th-century Italy and continued until the mid-17th century in England while being diffused into the rest of the western world. [1]
Using a cantus firmus as a means of teaching species counterpoint was the basis of Gradus ad Parnassum by Johann Joseph Fux, although the method was first published by Girolamo Diruta in 1610. [citation needed] Counterpoint is still taught routinely using a method adapted from Fux, and based on the cantus firmus.
Only three full volumes were ever published, going as far as Queen Elizabeth's reign, but their account of English poetry in the Late Middle Ages and Renaissance was unrivalled for many years, and played a part in steering British literary taste towards Romanticism. It is generally acknowledged to be the first narrative English literary history.
Matthiessen was an American studies scholar and literary critic at Harvard University [6] and chaired its undergraduate program in history and literature. [7] He wrote and edited landmark works of scholarship on T. S. Eliot, Ralph Waldo Emerson, the James family (Alice James, Henry James, Henry James Sr., and William James), Sarah Orne Jewett, Sinclair Lewis, Herman Melville, Henry David ...
Allegory: an extended metaphor in which the characters, places, and objects in a narrative carry figurative meaning. Often, the meaning of an allegory is religious, moral, or historical in nature. Example: "The Faerie Queene" by Edmund Spenser. [1] Periphrasis: the usage of multiple separate words to carry the meaning of prefixes, suffixes or ...
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".
Citation and Authority in Medieval and Renaissance Musical Culture: Learning from the Learned. Suffolk: Boydell Press. ISBN 978-1-84383-166-2. —— (2007). Sung Birds: Music, Nature, and Poetry in the Later Middle Ages. Ithaca: Cornell University Press. ISBN 978-0-8014-4491-3. —— (2011). Guillaume de Machaut: Secretary, Poet, Musician.