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Early gallery designs were inspired by wrought-iron balcony railings, featuring patterns like the cathedral arch and scrollwork. Cast iron posts were used to support the extended galleries. A surviving example can still be observed at 529–531 Governor Nicholls Street. [13] Highly ornate multi-story cast-iron galleries appeared in the 1850s.
The material was rarely used for the columns, as the cast was both stronger under compression and cheaper, so a typical iron frame building in the second half of the 19th century had cast iron columns and wrought iron beams. Columns at the Crystal Palace (1851), as well as short trusses, were made from the cast iron, while longer beams used ...
[6]: 7 The porches on both the east and west sides have two-story-high Doric wooden columns. The porch on the west side contains granite steps, while the porch on the east side has a veranda that branches out to semicircular brick steps. There are wrought-iron lamps beside both staircases as well as a wrought-iron railing at the back staircase.
The wrought-iron and bronze light fixture over the billiard table was so heavy it had to be attached to the structural beams of the Breakers in order to stay up.
The triple-storey verandah featured cast iron balustrading; timber columns and ventilation panels; deep wrought iron friezes; and coloured glass insert panels, and was considered by many to be the pinnacle of the Filigree style. [70] [71] [72] The wrought iron frieze panels were manufactured locally by Green's Foundry. [73]
Cast iron was also taken up by some architects in the early 19th century where smaller supports or larger spans were required (and where wrought iron was too expensive), notably in the Royal Pavilion in Brighton, designed by John Nash and built between 1816 and 1823, where cast iron columns were used within the walls, as well as cast iron beams ...
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