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Rolling Stone Indonesia listed Swami's song Bongkar as the best Indonesian song of all time and Bento on the fifth position, Kantata Takwa's Kesaksian on 81st position, and Iwan Fals' solo Guru Oemar Bakrie, Yang Terlupakan, Surat Buat Wakil Rakyat, Pesawat Tempur, Galang Rambu Anarki, and Sarjana Muda on 5th, 42nd, 51st, 56th, 65th, and 97th ...
Jusuf Antono Djojo or Ian Antono, born Jauw Hian Ling, [1] (born 29 October 1950 in Malang, Indonesia) is an Indonesian guitarist and songwriter.He has collaborated with many other musicians, including Anggun, [2] Iwan Fals, Nicky Astria, Doel Sumbang, Gito Rollies, Ebiet G Ade and Ikang Fawzi, he is best known as God Bless' lead guitarist since 1974.
It is the biggest album project from Iwan Fals with. [1] [2] This album contains criticism about the haters and a little romance. This album when it was released on iTunes immediately placed the third chart. [3] Steve Lilywhite not only as a producer but join to composed "ABADI" with the various musician songwriters.
To analyze seventh chords indicate the quality of the triad; major: I, minor: ii, half-diminished: vii ø, or augmented: III+; and the quality of the seventh; same: 7, or different: 7 M or 7 m. [2] With chord letters used to indicate the root and chord quality, and add 7, thus a seventh chord on ii in C major (minor minor seventh) would be d 7. [1]
Unlike the dominant triad or dominant seventh, the leading-tone triad functions as a prolongational chord rather than a structural chord since the strong root motion by fifth is absent. [ 6 ] On the other hand, in natural minor scales , the diminished triad occurs on the second scale degree; in the key of C minor, this is the D diminished triad ...
According to the Oxford English Corpus, a database of 21st-century texts that contains everything from academic journal articles to unedited writing and blog entries, contemporary writers opt for the nonstandard chords instead of cords 49% of the time. [45] [46] The cords spelling is also standard in the United Kingdom and Australia.
In music, the dominant 7 ♯ 9 chord [1] ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root.
The omnibus progression in music is a chord progression characterized by chromatic lines moving in opposite directions. [1] The progression has its origins in the various Baroque harmonizations of the descending chromatic fourth in the bass ostinato pattern of passacaglia, known as the "lament bass". [2]