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As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
Masks represent protective spirits that can take animal forms or can appear as strange beings. These spirits watch over a family, clan or community, and, if the rules for their propitiation are followed correctly, provide for the fertility, health, and prosperity of the owners. Thus the masks provide for the continuity of life in the gurunsi world.
In traditional African religions, masks play an important part in many ritual ceremonies. Credit: Ndoto ya Afrika For more about this picture, see Practices and rituals in traditional African religions , Traditional African masks , African art and African sculpture .
African Art Museum of the SMA Fathers at Tenafly, New Jersey: The Legend of Chi Wara. www.masksoftheworld.com: Chi Wara mask images. Library of the University of Virginia: Africa Masks exhibit. Includes images and description of one male and one female mask. Humboldt State University: gallery of Chi Wara and other Bambara dancers.
The Benin ivory mask is a miniature sculptural portrait in ivory of Idia, the first Iyoba (Queen Mother) of the 16th century Benin Empire, taking the form of a traditional African mask. [1] The masks were looted by the British from the palace of the Oba of Benin in the Benin Expedition of 1897 .
Plank Masks are the most known style of masks for this society. they are vertically shaped and attached to a disk-like base. Decoration is subject to change, but it mostly comes down to zigzags, squares, and circles. The Bwa also make horizontal and heterogenous masks. Heterogenous masks have an ovoid head with round and/or diamond eyes.
They are put in museums for display and educational purposes. People can see them in the museum and learn about the history of the mask, as it depicts the culture and life of the tribe. These masks play a significant role in the culture and spiritual world of the Bambara people. The masks are visually expressive and have high attention to detail.
In 1996, a group of Burkinabé students founded ASAMA, the Association for the Protection of Masks, in order to promote and preserve traditional mask practices. [3] [7] One of the concerns is that traditional masks are no longer a regular part of life for many. The masks' origins are religious in nature, historically being associated with ...
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