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The composition draws much from the 1420 Nativity of van der Weyden's master, Robert Campin, in Dijon. The stable is a half-ruined thatched Romanesque building, rather than the traditional wooden hut, with stone walls and arched windows, and one prominent classical pillar, uniquely in van der Weyden's work shown in an oblique perspective view.
The Nativity is an oil painting by Italian Renaissance artist Piero della Francesca, dated to 1470–75. The painting depicts a scene from the birth of Jesus , and is one of the latest surviving paintings made by the artist before his death in 1492.
4th-century sarcophagus, Milan; one of the earliest Nativity images. The earliest representations of the Nativity itself are very simple, just showing the infant, tightly wrapped, lying near the ground in a trough or wicker basket. The ox and ass are always present, even when Mary or any other human is not.
Neapolitan presepio at the Carnegie Museum of Art in Pittsburgh Detail of an elaborate Neapolitan presepio in Rome. In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche (/ k r ɛ ʃ / or / k r eɪ ʃ /), or in Italian presepio or presepe, or Bethlehem) is the special exhibition, particularly during the Christmas season, of art objects representing the birth ...
"L'Enfant Jésus couché dans la crèche". Acquired by the Louvre in 1852. This is thought to have been part of a "Nativity" scene, dated 1548–1555, and to have been housed originally in the "Chapelle des Princes" in the collegiate church of Saint-Maxe in Bar-le-Duc. The work is 0.50 metres high.
Thought suppression has mainly been studied using arbitrary thoughts (such as that of a white bear [9]) making it unrepresentative of real problematic thoughts that involve emotion, which could actually be harder to suppress. Meanwhile, studies on thought stopping have proven it to be effective against problematic cognition, showing a ...
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Gerard David, Adoration of the Kings, National Gallery, London, circa 1515 Adoration of the Magi, Gentile da Fabriano, 1423. The Adoration of the Magi or Adoration of the Kings or Visitation of the Wise Men is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star ...