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An early example of an eponymous hairstyle was associated with the 5th Duke of Bedford. In 1795, when the British government levied a tax on hair powder, as a form of protest Bedford abandoned the powdered and tied hairstyle commonly worn by men of that era in favor of a cropped, unpowdered style, making a bet with friends to do likewise. [13]
In men's wear, there were two distinct periods in the 1920s. Throughout the decade, men wore short suit jackets, the old long jackets being used merely for formal occasions. In the early 1920s, men's fashion was characterized by extremely high-waisted jackets, often worn with belts.
Flappers were a subculture of young Western women prominent after the First World War and through the 1920s who wore short skirts (knee height was considered short during that period), bobbed their hair, listened to jazz, and flaunted their disdain for prevailing codes of decent behavior.
Hair was often bobbed, giving a boyish look. [71] For men in white collar jobs, business suits were the day to day attire. Striped, plaid, or windowpane suits came in dark gray, blue, and brown in the winter and ivory, white, tan, and pastels in the summer. Shirts were white and neckties were essential. [72] Actress Norma Talmadge
After the First World War (1914–18) hair styles changed: the wartime trenches were infested with lice and fleas, so soldiers were forced to shave their heads. . Consequently, men with short hair appeared to have been at the front in the war, while men with longer hair might be thought of as pacifists and cowards, even suspected
conk hairstyle. The conk was a hairstyle popular among African-American men from the 1920s up to the early-to-mid 1960s. [1] This hairstyle called for a man with naturally "kinky" hair to have it chemically straightened using a relaxer called congolene, an initially homemade hair straightener gel made from the extremely corrosive chemical lye which was often mixed with eggs and potatoes.
Articles relating to flappers and their depictions, a subculture of young Western women in the 1920s who wore short skirts (knee height was considered short during that period), bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior.
The popularisation of the flapper style was due to film, radio and the media. Adrian was a popular designer for Metro-Goldyn-Mayer during the 1920s-1930s, dressing silent film actresses including Clara Bow, Norma Shearer, Greta Garbo and Joan Crawford: which influenced American women's fashion. [11]
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