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The song is played in two chords and has since been compared to "I Am the Walrus" and "I've Got a Feeling" for the similarities in the song's lyrics and structure. A riff from the song was integrated into the Plastic Ono Band song "Don't Worry Kyoko (Mummy's Only Looking for Her Hand in the Snow)", which was released later in 1969. [1]
Richie Unterberger of AllMusic writes that the song, while not one of the best on Rubber Soul, still fits in with the album comfortably enough. [3] He compliments the song's "sorrowful melodies", calling them one of the most sorrowful of the Lennon–McCartney library, and notes that it's one of the few Beatles songs to be in a minor key. [3]
"Awaiting on You All" is a song by English musician George Harrison, released on his 1970 triple album, All Things Must Pass. Along with the single "My Sweet Lord", it is among the more overtly religious compositions on All Things Must Pass, and the recording typifies co-producer Phil Spector's influence on the album, due to his liberal use of reverberation and other Wall of Sound production ...
The Beatles (then The Quarrymen), recorded a home version on a Grundig tape recorder in April or May, 1960. The Beatles version featured guitars by Harrison and Lennon and vocals from Paul McCartney. Canadian jazz musicians to record the song include Bert Niosi (1946), Peter Appleyard (1957), Ed Bickert (1979), and Oscar Peterson (1980).
You were only waiting for this moment to arise The Original “Blackbird” Lyrics Here are the original lyrics by the Beatles, via Genius, along with the song to listen to:
"Any Time at All" is a song by the English rock band the Beatles. Credited to the Lennon–McCartney partnership, it was mainly composed by John Lennon, with an instrumental middle eight by Paul McCartney. [2] It first appeared on the Beatles' A Hard Day's Night album.
"Blue Jay Way" is a song by the English rock band the Beatles. Written by George Harrison, it was released in 1967 on the group's Magical Mystery Tour EP and album. The song was named after a street in the Hollywood Hills of Los Angeles where Harrison stayed in August 1967, shortly before visiting the Haight-Ashbury district of San Francisco.
On the Beatles' recording, Harrison performs this opening section alone, [17] playing a series of "elegant introductory hammer-ons", according to musicologist Walter Everett. [18] The song's bluesy feel is accentuated by the addition to the minor pentatonic scale of a ♭ 7 note on each of the I (D7), IV (G7) and V (A7) chords.