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Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
The themes that preoccupied painters of the Italian Renaissance were those of both subject matter and execution – what was painted and the style in which it was painted. The artist had far more freedom of both subject and style than did a medieval painter. Certain characteristic elements of Renaissance painting evolved a great deal during the ...
The art historian Jill Burke was the first to trace the historical origins of the term High Renaissance.It was first coined in German by Jacob Burckhardt in German (Hochrenaissance) in 1855 and has its origins in the "High Style" of painting and sculpture of the time period around the early 16th century described by Johann Joachim Winckelmann in 1764. [2]
The cultural and artistic events of Italy during the period 1500 to 1599 are collectively referred to as the Cinquecento (/ ˌ tʃ ɪ ŋ k w ɪ ˈ tʃ ɛ n t oʊ /, [1] [2] [3] Italian: [ˌtʃiŋkweˈtʃɛnto]), from the Italian for the number 500, in turn from millecinquecento, which is Italian for the year 1500.
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
The Italian Renaissance (Italian: Rinascimento [rinaʃʃiˈmento]) was a period in Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity .
The Virgin of the Rocks (Italian: Vergine delle rocce), sometimes the Madonna of the Rocks, is the name of two paintings by the Italian Renaissance artist Leonardo da Vinci, of the same subject, with a composition which is identical except for several significant details.
However, certain stylistic elements persist, including the use of fragmented figure outlines, forcefully rendered drapery, and dreamlike landscapes. These characteristics collectively contribute to a sense of unease, reflecting the anxieties of the period that ultimately led to a questioning of Renaissance ideals at the century's end. [8]
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