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Mary, the mother of Jesus in Christianity, is known by many different titles (Blessed Mother, Virgin Mary, Mother of God, Our Lady, Holy Virgin, Madonna), epithets (Star of the Sea, Queen of Heaven, Cause of Our Joy), invocations (Panagia, Mother of Mercy, God-bearer Theotokos), and several names associated with places (Our Lady of Loreto, Our Lady of Fátima).
The Birth of Mary, the Presentation of Mary and the Marriage of the Virgin were usual components of cycles of the Life of the Virgin in which Anne is normally shown here. Her emblem is a door. [ 16 ] She is often portrayed wearing red and green, representing love and life.
British devotion to the Virgin Mary has often been expressed in poetry, Marian hymns, and Carols, e.g., in the 17th-century poems of John Donne and George Herbert, or in the 18th-century works of Thomas Ken such as Saint Mary the Virgin. [10] [11] Marian Votive Shrine at the Anglo-Catholic Church of the Good Shepherd (Rosemont, Pennsylvania)
Mary of the Flight into Egypt; Mary, Untier of Knots; Mary, Help of Christians; Mary, Mediatrix of All Grace; Mater ter admirabilis; Mediatrix; Mediatrix of all graces; Our Lady of Medjugorje; Most Holy Name of the Blessed Virgin Mary; Mother of Divine Grace; Mother of the Church
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church. The various different names are ...
The Virgin of Mercy is a subject in Christian art, showing a group of people sheltering for protection under the outspread cloak, or pallium, of the Virgin Mary.It was especially popular in Italy from the 13th to 16th centuries, often as a specialised form of votive portrait; it is also found in other countries and later art, especially Spain and Latin America.
In common imagery, the Virgin Mary is portrayed sorrowful and in tears, with one or seven swords piercing her heart, iconography based on the prophecy of Simeon in Luke 2:34–35. Pious practices in reference to this title include the Chaplet of the Seven Sorrows , the Seven Principal Dolors of the Blessed Virgin , the Novena in Honor of the ...