Search results
Results from the WOW.Com Content Network
Figures of speech include alliteration, anaphora, paradox, and personification. The poem personifies Death as a gentleman caller who takes a leisurely carriage ride with the poet to her grave. She also personifies immortality. [2] [better source needed] A volta, or turn, occurs in the fourth stanza. Structurally, the syllables shift from its ...
The Waste Land at Wikisource. The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the ...
The poem received mixed reviews from critics, and Coleridge was once told by the publisher that most of the book's sales were to sailors who thought it was a naval songbook. Coleridge made several modifications to the poem over the years. In the second edition of Lyrical Ballads, published in 1800, he replaced many of the archaic words.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1][2] In the distinction between literal and figurative language, figures of speech constitute the latter.
Flower in the Crannied Wall. " Flower in the Crannied Wall " is a poem composed by Alfred Tennyson in 1863 beside the wishing well at Waggoners Wells. The poem uses the image of a flowering plant - specifically that of a chasmophyte rooted in the wall of the wishing well - as a source of inspiration for mystical / metaphysical speculation [1 ...
After Apple-Picking. " After Apple-Picking " is a poem by American poet Robert Frost. It was published in 1914 in North of Boston, Frost's second poetry collection. [ 1 ] The poem, 42 lines in length, does not strictly follow a particular form (instead consisting of mixed iambs), nor does it follow a standard rhyme scheme.
Richard Lovelace by William Dobson. " To Althea, from Prison " is a poem written by Richard Lovelace in 1642. The poem is one of Lovelace's best-known works, and its final stanza's first line "Stone walls do not a prison make, Nor iron bars a cage" is often quoted. Lovelace wrote the poem while imprisoned in Gatehouse Prison adjoining ...
MacLeish uses a myriad of poetic devices and figures of speech to help identify what a poem is, and moreover what it should be. In lines 1-8, MacLeish uses similes (comparing a poem via like or as to globed fruit, medallions, etc) to construct his idea of an ideal poem. But similes are not the only figures of speech used.