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Auricon. Auricon cameras were 16 mm film Single System sound-on-film motion picture cameras manufactured in the 1940s through the early 1980s. Auricon cameras are notable because they record sound directly onto an optical or magnetic track on the same film that the image is photographed on, thus eliminating the need for a separate audio recorder.
Krasnogorsk-3. The Krasnogorsk-3 (Красногорск-3) is a spring-wound 16mm mirror-reflex movie camera designed and manufactured in the USSR by KMZ. A total of 105,435 Krasnogorsk-3 cameras were produced between 1971 and 1993. [1]
16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 2⁄3 inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures. It also existed as a popular amateur or ...
The final 16mm spool loading Ciné-Kodak, the K100, arrived in 1956 with both turret and non-turret versions. The mid-1930s saw the beginning of a line of magazine-loading cameras, the Magazine Ciné-Kodaks, made initially in Kodak's Nagel Works in Germany. The 16mm Ciné-Kodaks were well-made, long-lived cameras.
Arriflex 416 is a motion picture camera product line created by Arri in 2006. This camera line was introduced in large part to accommodate new lenses of larger diameter that physically interfered with the Arri 16 SR3 viewfinder. The 416 camera series is designed for 16mm filmmaking in the Super 16 format. The 416 series has some features that ...
The Filmo 70 was the first spring motor-driven 16 mm camera. In 1925 the Eyemo, a hand-held 35 mm camera based on the design of the Filmo 70 was offered. It was also spring driven, but could be hand-cranked as well. Bell & Howell introduced the first 16 mm turret camera with its Model C in 1927. A beautifully ornate and much more compact 16mm ...
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