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"Freddie Freeloader" is a composition by Miles Davis and is the second track on his 1959 album Kind of Blue. The piece takes the form of a twelve-bar blues in B ♭, but the chord over the final two bars of each chorus is an A ♭ 7, not the traditional B ♭ 7 followed by either F7 for a turnaround or some variation of B ♭ 7 for an ending.
Bitches Brew is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis.It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970, by Columbia Records.
Nardis" is a composition by American jazz trumpeter Miles Davis. It was written in 1958, during Davis's modal period, to be played by Cannonball Adderley for the album Portrait of Cannonball. [1] The piece has come to be associated with pianist Bill Evans, who performed and recorded it many times.
Miles Davis – Four & More (1964) Dick Wellstood – The Seldom Scene (1981) Joe Henderson – So Near, So Far (Musings for Miles) (1992) Wayne Henderson – Back to the Groove (1992) Malachi Thompson – New Standards (1993) Alan Dawson – Waltzin' with Flo (2002) SF JAZZ Collective – Music of Miles Davis & Original Compositions (Live: SF ...
Miles Davis' tombstone showing the first two measures of "Solar" "Solar" (/ ˈ s oʊ l ər / or / s oʊ ˈ l ɑːr / [citation needed]) is a composition written by Chuck Wayne and later recorded and copyrighted with small alterations by Miles Davis. It first appeared on Davis's 1954 album Miles Davis Quintet and is considered a modern jazz ...
This iconic jazz standard was introduced in 1963 by the Miles Davis Quintet. [1] Although Feldman played and recorded with Davis in Los Angeles on Seven Steps to Heaven , [ 2 ] and he appears on half of the tracks of the album, the West Coast -based pianist did not want to follow Davis to New York, where the album version of the composition was ...
A recording by Miles Davis was included on his 1958 album Jazz Track. Davis revived the song in 1963 performing it live many times through 1965. Other jazz recordings have been made by Red Garland, Maynard Ferguson, Earl Grant, Joe Pass, Bill Evans, Art Blakey and the Jazz Messengers, Lou Donaldson, Charlie Rouse, and Dexter Gordon.
"Dig" is a bebop jazz standard attributed to Miles Davis by Prestige Records without Davis' knowledge. [citation needed] It was recorded on October 5, 1951 and first released on his album The New Sounds. Its chord sequence is almost identical to that of "Sweet Georgia Brown" by Ben Bernie and Maceo Pinkard, making it a contrafact.