Search results
Results from the WOW.Com Content Network
The creation of the work is undocumented. Most scholars assume the statue was commissioned by Cosimo de' Medici, but the date of its creation is unknown and widely disputed; suggested dates vary from the 1420s to the 1460s (Donatello died in 1466), with the majority opinion recently falling in the 1440s, when the new Medici Palace (now called ...
The most noticeable self-referencing image trend on the coins and works of art commissioned by Julius II was the "Della Rovere oak." In Italian "rovere" means oak, derived from the Latin robur, meaning strength or oak tree. The Spernadino medal of Giuliano Della Rovere (1488) is a prime example of a representation of the "Della Rovere oak".
Antonio del Pollaiuolo, Portrait of a Young Woman (1470–1472), Museo Poldi Pezzoli, Milan. Facade of Santa Maria Novella (1456) Michelangelo, Doni Tondo (1503–1504). The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th.
There, his work and outlook were influenced by many of the most prominent philosophers and writers of the day, including Marsilio Ficino, Pico della Mirandola and Poliziano. [23] At this time, Michelangelo sculpted the reliefs Madonna of the Stairs and Battle of the Centaurs , [ 19 ] the latter based on a theme suggested by Poliziano and ...
The art historian Jill Burke was the first to trace the historical origins of the term High Renaissance.It was first coined in German by Jacob Burckhardt in German (Hochrenaissance) in 1855 and has its origins in the "High Style" of painting and sculpture of the time period around the early 16th century described by Johann Joachim Winckelmann in 1764. [2]
The Transfiguration is the last painting by the Italian High Renaissance master Raphael.Cardinal Giulio de Medici – who later became Pope Clement VII (in office: 1523–1534) – commissioned the work, conceived as an altarpiece for Narbonne Cathedral in France; Raphael worked on it in the years preceding his death in 1520. [1]
Nicola Pisano was commissioned to carve the pulpit of the baptistery of the cathedral of this city. He did it following the new trends learned in Apulia, especially emphasizing the classical form of the naked Hercules. This work, the pulpit, is considered a precursor of the Italian Renaissance. [23]
The third important work of this period is the Virgin of the Rocks, commissioned in Milan for the Confraternity of the Immaculate Conception. The painting, to be done with the assistance of the de Predis brothers , was to fill a large complex altarpiece . [ 111 ]