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The period of Islamic rule in Iberia from 711 to 1492 brought many new literary traditions to Spain. Most literature at this time was produced in standard Arabic, though poetry and other forms of literature of the Jewish golden age found expression in Judeo-Arabic or Hebrew.
Costumbrismo is an art form developed by Spanish painters. In the 19th century, a wave of nationalistic fervour took hold, providing the stimulus for painters to focus on local customs (or costumbres). [19] As in literary costumbrismo, Madrid and Andalusia (particularly Seville) were Spain's two great centers of costumbrismo in the
The Spanish Golden Age, a period of Spanish political ascendancy and subsequent decline, saw a great development of art in Spain. [21] The period is generally considered to have begun at some point after 1492 and ended by or with the Treaty of the Pyrenees in 1659, though in art the start is delayed until the reign of Philip III (1598–1621 ...
Letras y figuras (Spanish, "letters and figures") is a genre of painting pioneered by José Honorato Lozano during the Spanish colonial period in the Philippines. The art form is distinguished by the depiction of letters of the alphabet using a genre of painting that contoured shapes of human figures, animals, plants, and other objects called ...
The style was later influenced by Flemish Baroque painting, as the Spanish Habsburgs ruled over an area of the Netherlands during this period. The arrival of Flemish painter Peter Paul Rubens in Spain, who visited the country in 1603 and 1628, also had some influence Spanish painting. However, it was the profusion of his works, as well as those ...
In ictu oculi ("In the blink of an eye"), a vanitas by Juan de Valdés Leal Façade of the Monastery of El Escorial. The Spanish Golden Age (Spanish: Siglo de Oro Spanish pronunciation: [ˈsiɣlo ðe ˈoɾo], "Golden Century") was a period that coincided with the political rise of the Spanish Empire under the Catholic Monarchs of Spain and the Spanish Habsburgs.
The terms 'Spanish Fascist art', 'Fascist Spanish painting', 'Spanish fascist sculpture', 'Spanish fascist architecture', 'Spanish fascist culture', 'Spanish fascist literature', and so on, are infrequently used, but there are examples, as in the writing of Spanish historian Julio Rodriguez-Puértolas .
Los Caprichos (The Caprices) is a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797–1798 and published as an album in 1799. The prints were an artistic experiment: a medium for Goya's satirizing Spanish society at the end of the 18th century, particularly the nobility and the clergy.