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The framework for J. R. R. Tolkien's conception of his Elves, and many points of detail in his portrayal of them, is thought by Haukur Þorgeirsson to have come from the survey of folklore and early modern scholarship about elves (álfar) in Icelandic tradition in the introduction to Íslenzkar þjóðsögur og æfintýri ('Icelandic legends and fairy tales').
Tolkien's The Lord of the Rings (1954–1955) became extremely popular and was extensively imitated. His elves have formed the view of elves in modern fantasy like no other singular source. In the 1960s and afterwards, elves similar to those in Tolkien's novels became staple, non-human characters, in high fantasy works and in fantasy role ...
The Elf Ecthelion slays the Orc champion Orcobal in Gondolin. 2007 illustration by Tom Loback. J. R. R. Tolkien, a devout Roman Catholic, [T 1] created what he came to feel was a moral dilemma for himself with his supposedly evil Middle-earth peoples like Orcs, when he made them able to speak.
Celtic influences on Middle-earth:Tolkien's Elves owe something to the Irish Tuatha Dé Danann; [1] their sanctuary of Rivendell recalls Tír na nÓg; [2] the Undying Lands echo Immrama tales; [3] [4] their Sindarin language uses some aspects of Welsh language; [5] [6] and Maedhros and Celebrimbor reflect aspects of Nuada Airgetlám.
This picture of increasing separation is analogous to the progressive decline and fall in Middle-earth from its initial perfection, of which the Sundering of the Elves is a major element. [9] In Tolkien's scheme, the highest Elves are those who deviated least from their initial state (complying with the will of the Valar, travelling to Valinor ...
The first stanza of Tolkien's Quenya poem "Namárië", written in his Tengwar script. The Elvish languages of Middle-earth, constructed by J. R. R. Tolkien, include Quenya and Sindarin. These were the various languages spoken by the Elves of Middle-earth as they developed as a society throughout the Ages. In his pursuit for realism and in his ...
The first rule of The Elf on the Shelf is that you can't touch the elf. The second rule of The Elf on the Shelf is that the elf will not speak or move while you are awake. So where did this ...
The prose style of J. R. R. Tolkien's Middle-earth books, especially The Lord of the Rings, is remarkably varied.Commentators have noted that Tolkien selected linguistic registers to suit different peoples, such as simple and modern for Hobbits and more archaic for Dwarves, Elves, and the Rohirrim.