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Cuban cultural organization Casa de las Américas hosted many notable gatherings of nueva canción musicians, including the 1967 Encuentro de la Canción Protesta. [3] Songs of conflict in Spanish have a very long history, with elements to be found in the "fronterizos", songs concerning the Reconquest of Spain from the Moors in the 15th century.
Pages in category "El Salvador–Peru relations" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. ...
Music instruments that are present in El Salvador are Native American Pan-Indianism instruments such as Native American flute and drums. El Salvador has an American indigenous population which includes the Lenca, Pipil and Mayan people. European colonizers brought instruments, like the guitar, pedal steel guitar, fanfare trumpet and piano.
El Salvador and Peru share a common history in the fact that both nations were once part of the Spanish Empire.Formal diplomatic relations were established in 1857. Both nations are members of the Community of Latin American and Caribbean States, Group of 77, Organization of American States, Organization of Ibero-American States and the United Nations.
Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments.
Afro-Peruvian music, Black Peruvian Music, Música afroperuana, or Música negra, is a type of Latin American music first developed in Peru by enslaved black people from West Africa, where it is known as Festejo. The genre is a mix of West African and Spanish music.
No reliable historical sources have yet been found on which an accurate description of the development of the landau in Peru can be elaborated; the only available source is the scant information provided by twentieth-century informants who witnessed the execution and the text and music of the few landós that have survived.
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