Search results
Results from the WOW.Com Content Network
The Dolby Laboratories recommendation for dialnorm has the force of law for US Digital Broadcasting, through the FCC's adoption of ATSC A/53 Annex B, section 5.5 Dialogue Level: "The value of the dialnorm parameter in the AC-3 elementary bit stream shall indicate the level of average spoken dialogue within the encoded audio program."
Dolby Atmos home theaters can be built upon conventional 5.1 and 7.1 layouts. For Dolby Atmos, the nomenclature differs slightly by an additional number at the end, that represents the number of overhead or Dolby Atmos enabled speakers: a 7.1.4 Dolby Atmos system is a conventional 7.1 layout with four overhead or Dolby Atmos enabled speakers.
The Aromas format extends the capabilities of Auro 11.1 to approach Dolby Atmos and DTS:X. The system uses Auro-3D Octopus codec, which allows the 12 channels to be compressed into 6 channels by utilizing the least significant bits for the additional channels and its metadata. [3] This allows Auro 11.1 to be played as 5.1 in the absence of a ...
When Dolby AC-4 was tested by the DVB the Multiple Stimuli with Hidden Reference and Anchor test (MUSHRA) score was 90 at 192 kbit/s for 5.1 channel audio. [1] When tested for ATSC 3.0 the bit rates needed for the required audio score was 96 kbit/s for stereo audio, 192 kbit/s for 5.1 channel audio, and 288 kbit/s for 7.1.4 channel audio. [ 1 ]
Dolby Atmos (and other Microsoft Spatial Sound engines; see AudioObjectType in SpatialAudioClient.h) additionally support a virtual "8.1.4.4" configuration, to be rendered by a HRTF. [45] The configuration adds to 7.1.4 with a center speaker behind the listener and 4 speakers below.
Dolby AC-3 (a backronym for Audio Codec 3, Advanced Codec 3, or Acoustic Coder 3), also known as ATSC A/52 (name of the standard) [18] or simply Dolby Digital (DD), is the common version containing up to six discrete channels of sound. Before 1996 it was marketed as Dolby Surround AC-3, Dolby Stereo Digital, and Dolby SRD. [19]
Dolby Digital (AC3, ATSC A/52, ETSI TS 102 366) FFmpeg; liba52 (decoder only) Dolby Digital Plus (E-AC-3, ATSC A/52:2012 Annex E, ETSI TS 102 366 Annex E) FFmpeg; DTS Coherent Acoustics (DTS, Digital Theatre System Coherent Acoustics, ETSI TS 102 114) FFmpeg; libdca (decoder only) Dolby AC-4 (ETSI TS 103 190) Impala Blackbird audio codec; ITU ...
Dolby TrueHD is a lossless, multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray and compatible hardware. Dolby TrueHD, along with Dolby Digital Plus (E-AC-3) and Dolby AC-4 , is one of the intended successors to the Dolby Digital (AC-3) lossy surround format.