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The bağlama is a synthesis of historical musical instruments in Central Asia and pre-Turkish Anatolia. It is partly descended from the Turkic komuz . The kopuz , or komuz , differs from the bağlama in that it has a leather-covered body and two or three strings made of sheep gut, wolf gut, or horsehair.
The Kemençe of the Black Sea (Turkish: Karadeniz kemençesi), also known as Pontic kemenche or Pontic lyra (Greek: Ποντιακή λύρα), is a box-shaped lute (321.322 in the Hornbostel-Sachs system), while the classical kemençe (Turkish: Klasik kemençe or Armudî kemençe, Greek: Πολίτικη Λύρα) is a bowl-shaped lute (321.321).
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...
The yaylı tambur [1] is a bowed long-neck lute from Turkey. [2] Derived from the older plucked mızraplı tambur variant of the Turkish tambur, it has a long, fretted neck and a round metal or wooden soundbox which is often covered on the front with a skin or acrylic head similar to that of a banjo.
The name of the instrument may come from Turkish bozuk (broken or disorderly), it refers to Bozuk düzen bağlama, a tuning of Turkish baglama.Another theory on the origin of the name is that it comes from the Persian expression tanbur e bozorg, meaning a large tanbur style lute.
The oud (Arabic: عود, romanized: ʿūd, pronounced; [1] [2] [3]) is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.
The Shahrud (Turkish: Şehrud, from Persian: شاهرود, DMG šāh-rūd or šāh-i-rūd) was a short-necked lute, illustrated in the Surname-i Hümayun, resembling an oud or barbat, but being much larger. [1] The larger size gave the instrument added resonance and a deeper range, like the modern mandobass, mandolone or Algerian mandole.
Known as a lavuta (լավութա) in Armenian, also occasionally called Politiko Laouto (Lute from Constantinople) in Greek, is an instrument that was popular in the early 20th century, particularly among the Greek and Armenian communities of Istanbul, but also the Turkish community, it was one of the many instruments played by noted Turk Tanburi Cemil Bey.
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