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"Live to Tell" is a song by American singer Madonna included on her third studio album True Blue (1986), and in the 1986 film At Close Range. A pop ballad with torch influences, its lyrics talk about deceit, mistrust and childhood scars.
The theme with Madonna's lyrics became the single "Live to Tell". A slower instrumental version opened the film's main title sequence, a harbinger of the end credit sequence, which was accompanied by the version from Madonna's third studio album, True Blue (1986). Versions of the instrumental show up throughout.
48 Hours: Live to Tell uses a different format from the earlier versions of the program. This format does not utilize a narrator; instead the stories are recounted entirely by the victims and those who know the victims of crimes; some episodes also focus on other life-threatening situations, but are recounted in the same manner.
The FBI Files, "Tracks of a Killer", on the Biography Channel (2003) Reséndiz was the focus of the December 11, 2010, episode of 48 Hours Mystery (CBS), "Live to Tell: The Railroad Killer", in which Holly Dunn shared the story of her attack and the murder of Christopher Maier. [25]
The story has been presented in the Dateline NBC series (original air date August 3, 2009) [13] and the 48 Hours Mystery episode, "Live to Tell: Hunting Humans" (original air date February 26, 2011). [14] The case was also featured in episode 2, season 2, of Nightmare Next Door and episode 5, season 7, of Castle.
Unbreakable: Live to Tell (2019) Undercover Underage (2021—23) Unmasked (2018) Unraveled (2015–16) Until Proven Innocent (2016) Untouchable: Power Corrupts (2015) Unusual Suspects (2010–16) Unusual Suspects: Deadly Intent (2017–2018) Valley of the Damned (2019) Vanished Into Thin Air (2022) Vanity Fair Confidential (2015–18) Very Bad ...
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On April 5, 1986, Billboard reported that Madonna's new album would be called Live to Tell, and released in the summer. [10] One month later, the title was confirmed to be True Blue, named after a favorite expression Penn's. [11] [12] Described by the singer as her "most personal" work at the time, she wanted to reach a wider, more mature audience.
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