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Tap dance (or tap) is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. [1] Tap dancing can also be a cappella, with no musical accompaniment; the sound of the taps is its own music. It is an African-American artform that evolved alongside the advent of jazz music.
Portrait of Boz's Juba from an 1848 London playbill. Master Juba (ca. 1825 – ca. 1852 or 1853) was an African-American dancer active in the 1840s. He was one of the first black performers in the United States to play onstage for white audiences and the only one of the era to tour with a white minstrel group.
A Juba dance performance could include steps such as the "Jubal Jew", "Yaller Cat", "Pigeon Wing" and "Blow That Candle Out". The dance traditionally ends with a step called the " Long Dog Scratch ". Modern variations on the dance include Bo Diddley 's " Bo Diddley Beat " and the step-shows of African American Greek organizations .
Tap, with origins in Africa and Europe, was a style that was often seen. [33] A West African dance style called Gioube, a step-style dance, was mixed with Scottish and Irish clog-shoe dances to create tap. [34] Vaudeville saw two types of tap: buck-and-wing and four-four time soft shoe. Buck-and-wing consisted of gliding, sliding, and stomping ...
Ernest "Brownie" Brown (April 25, 1916 – August 21, 2009) was an African American tap dancer and last surviving member of the Original Copasetics.He was the dance partner of Charles "Cookie" Cook, with whom he performed from the days of vaudeville into the 1960s, and of Reginald McLaughlin, also known as "Reggio the Hoofer," from 1996 until Brown's death in 2009.
The Greatest Tap Dance Stars And Their Stories 1900-1955." "These were the days before digital recorders, streaming TV and YouTube, so if you wanted to see tap dancing, you had to sit in front of ...
As people were taken from Africa to be sold as slaves, especially starting in the 1500s, they brought their dance styles with them. Entire cultures were imported into the New World, especially those areas where slaves were given more flexibility to continue their cultures and where there were more African slaves than Europeans or indigenous Americans, such as Brazil.
In 1968, the Hoofers traveled to Africa on a State Department sponsored Jazz Dance Theater tour, where they performed for Emperor Haile Selassie. [1] In the 1970s, he became a lifetime member of the tap dancing The Copasetics Club, founded in 1949, in memory of Bill Robinson. In 1974, Brown appeared in the tap dance documentary, Great Feats of ...