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Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. [1] [2]Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. [3]
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Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
Some Holiness Churches of the Methodist tradition, such as the Free Methodist Church, opposed the use of musical instruments in church worship until the mid-20th century. The Free Methodist Church allowed for local church decision on the use of either an organ or piano in the 1943 Conference before lifting the ban entirely in 1955.
The bass flute is an octave lower than the concert flute, and the contrabass flute is an octave lower than the bass flute. Less commonly seen flutes include the treble flute in G, pitched one octave higher than the alto flute; soprano flute, between the treble and concert; and tenor flute or flûte d'amour in B ♭ , A or A ♭ [ citation ...
For example, there are many masses (often called "Communion Services") written in English for the Church of England. At a time when Christianity was competing for prominence with other religions, the music and chants were often beautiful and elaborate to attract new members to the Church. [9] Music is an integral part of mass.
Bohuslav Martinů's Sonata for Flute and Piano, H. 306, was composed in 1945 in South Orleans, Cape Cod, [1] during the composer's five years in the USA following his escape from occupied France. [2] The work was composed for George Laurent who was the principal flute of the Boston Symphony Orchestra from 1918 to 1952. [ 3 ]
The work contains a number of Celtic music influences. In the program notes to the score, Rouse commented on the particularly Irish influences, saying:. The first and last movements bear the title 'Amhrán' (Gaelic for 'song') and are simple melodic elaborations for the solo flute over the accompaniment of orchestral strings.
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