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" Ach Gott, vom Himmel sieh darein" ("Oh God, look down from heaven") is a Lutheran chorale of 1524, with words written by Martin Luther paraphrasing Psalm 12. It was published as one of eight songs in 1524 in the first Lutheran hymnal , the Achtliederbuch, which contained four songs by Luther, three by Speratus , and one by Justus Jonas .
" Ach Gott, wie manches Herzeleid" (Oh God, how much heartache) is a hymn in German in 18 stanzas attributed to Martin Moller (1587). [1] It is often catalogued as a paraphrase of the Latin "Jesu dulcis memoria", a medieval hymn attributed to Bernard of Clairvaux , [ 2 ] but only a few lines refer directly to this song.
13. Ach, mein herzliebes Jesulein, Mach dir ein rein, sanft Bettelein, Zu ruhen in meins Herzens Schrein, Das ich nimmer vergesse dein. 14. Davon ich allzeit fröhlich sei, Zu springen, singen immer frei Das rechte Susaninne schon, Mit Herzenslust den süßen Ton. 15. Lob, Ehr sei Gott im höchsten Thron, Der uns schenkt seinen ein'gen Sohn.
Ach Gott, wie manches Herzeleid (Oh God, how much heartache), [1] BWV 3, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the Second Sunday after Epiphany and first performed it on 14 January 1725. It is based on the hymn published by Martin Moller in 1587.
Second Sunday after Christmas (5 January 1727): Ach Gott, wie manches Herzeleid, BWV 58 (early version). [ 25 ] Four of these third cycle cantatas for the Christmas season, BWV 110, 57, 151 and 16, were on a text from Georg Christian Lehms 's Gottgefälliges Kirchen-Opffer cantata libretto cycle, which had been published in 1711.
The first movement, "Ach Gott, wie manches Herzeleid" (Ah, God, how much heartache), [13] is a chorale fantasia, with the soprano, representing the Soul, singing the cantus firmus, reinforced by the taille, while the bass as the vox Christi (voice of Christ) delivers original verse in counterpoint to the melody. [1]
SWV 102 – Ach Herr mein Gott, straf mich doch nicht ; SWV 103 – Auf dich trau ich, mein Herr und Gott ; SWV 104 – Mit Dank wir sollen loben ; SWV 105 – Mit fröhlichem Gemüte ; SWV 106 – Wie meinst du's doch, ach Herr, mein Gott ; SWV 107 – Ich trau auf Gott, was soll's denn sein
The cantata is closed with the chorale "Ach mein herzliebes Jesulein" (Ah, my heart's beloved little Jesus), [22] [39] the 13th stanza of Luther's hymn "Vom Himmel hoch, da komm ich her ". [22] While the compassionate text addresses the baby, interjections by trumpets and timpani recall the opening movement and refer to his godly nature. [35]