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Catherine of Valois was the youngest daughter of King Charles VI of France and his wife Isabeau of Bavaria. [3] She was born at the Hôtel Saint-Pol (a royal palace in Paris) on 27 October 1401. Early on, there had been a discussion of marrying her to the Prince of Wales , the son of Henry IV of England , but the king died before negotiations ...
Sir Owen Tudor (Welsh: Owain ap Maredudd ap Tudur, [a] c. 1400 – 2 February 1461) was a Welsh courtier and the second husband of Queen Catherine of Valois (1401–1437), widow of King Henry V of England. He was the grandfather of Henry VII, founder of the Tudor dynasty.
Prompted by jealousy, Thomas kisses Elizabeth, who declares her love for him. Catherine, who has noticed the closeness between her husband and Elizabeth, asks Elizabeth to make a choice, and the princess moves back to Hatfield. Soon after, Catherine sickens and dies. After months away at sea, Thomas returns and finally sees Elizabeth.
Francis was born 11 years after his parents' wedding. The long delay in producing an heir may have been due to his father's repudiation of his mother in favour of his mistress Diane de Poitiers, [1] but this repudiation was mitigated by Diane's insistence that Henry spend his nights with Catherine. [1]
The King is a 2019 epic historical drama film directed by David Michôd, based on several plays from William Shakespeare's Henriad. [3] [4] [5] The screenplay was written by Michôd and Joel Edgerton, who both produced the film with Brad Pitt, Dede Gardner, Jeremy Kleiner, and Liz Watts.
Elizabeth is a 1998 British biographical historical drama film directed by Shekhar Kapur and written by Michael Hirst.It stars Cate Blanchett in the title role of Elizabeth I of England, with Geoffrey Rush, Christopher Eccleston, Joseph Fiennes, John Gielgud, and Richard Attenborough in supporting roles.
Jeanne de Valois-Saint-Rémy, orphaned at an early age, is determined to reclaim her noble title and the home taken from her family when she was a child.When she is rebuffed by Marie Antoinette and fails to achieve her goal through legal channels, she joins forces with the arrogant, well-connected gigolo Rétaux de Villette and her own wayward, womanizing husband Nicholas.
Film4's movie critic wrote: "Roeg really is the perfect director to bring Johnson's stage play to the screen. Throughout, tortured childhood flashbacks and pessimistic flash-forwards (ka-boom!) draw unexpected connections between time, place and circumstance, with the repeated visual motif of a wristwatch employed to mark time's passing – but ...