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After the Philippines was ceded to the United States as a consequence of the Spanish–American War in 1898, the architecture of the Philippines was influenced by American aesthetics. In this period, the plan for the modern City of Manila was designed, with many neoclassical architecture and art deco buildings by famous American and Filipino ...
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After independence, Brutalism was employed during the martial-law era. After the restoration of democracy, indigenous architecture revived during the late 20th and 21st centuries; these buildings have become bases for Filipino nationalism. Modern architecture is popular, and examples include Saint Andrew the Apostle Church and the Manila Hotel ...
The Legislative Building during the 1930s. The building was originally designed by the Bureau of Public Works (precursor of the Department of Public Works and Highways) Consulting Architect Ralph Harrington Doane [4] and Antonio Toledo in 1918, and was intended to be the future home of the National Library of the Philippines, according to the Plan of Manila of Daniel H. Burnham. [5]
His paintings depict a nation in transition, an allusion to the new culture brought by the Americans. Manansala, together with Fabian de la Rosa, are among the best-selling Philippine artists in the West. He was a member of the prominent Cruz, Manansala, Lopez family clan.
Antipolo by Fernando Amorsolo, depicting Filipinos celebrating the annual pilgrimage to Antipolo, with the pre-War cathedral depicted in the background.. After graduating from the University of the Philippines, Amorsolo worked as a draftsman for the Bureau of Public Works as a chief artist at the Pacific Commercial Company and as a part-time instructor at the University of the Philippines. [7]
The Manila Metropolitan Theater (Filipino: Tanghalang Metropolitan), also known as the Metropolitan Theater, abbreviated as the MET, is a historic Philippine Art Deco building located in Plaza Lawton in Ermita, Manila. It is recognized as the forefront of the Art Deco architectural style in the Philippines.
The history names Victorio Edades as “the father of Modern Philippine art". Schooled in the US upon his return he introduced an entirely new way of thinking about art. He argued that art can be more than representation of reality, it can be representation of reality as seen through the mind and emotions of the artist.