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Jazz-funk is a subgenre of jazz music characterized by a strong back beat, electrified sounds, [1] and analog synthesizers.The integration of funk, soul, and R&B music and styles into jazz resulted in the creation of a genre that ranges from pure jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, jazz solos, and sometimes soul vocals. [2]
Jazz, jazz funk, jazz fusion, funk Herbie Hancock, The Headhunters. Keith Jarrett: Keyboards 1945 Jazz, Western classical music, jazz fusion, free improvisation Miles Davis, Jack DeJohnette, Chick Corea. As leader: Expectations (1972), with Miles Davis: The Cellar Door Sessions 1970 (2005) Alphonso Johnson: Bass 1951 Jazz, jazz fusion, funk
Jazz portal; R&B and Soul Music portal Subcategories. This category has only the following subcategory. ... Pages in category "Jazz-funk musicians" The following 10 ...
This includes artists who have either been very important to the funk genre or have had a considerable amount of exposure (such as in the case of one who has been on a major label). Bands are listed by the first letter in their name (not including the words "a", "an", or "the"), and individuals are listed by last name.
Flamenco jazz is a style mixing flamenco and jazz, typified by artists such as Paco de Lucia and Camarón de la Isla. 1960s -> Free funk: A combination of avant-garde jazz with funk music 1970s -> Free jazz: Free improvisation is improvised music without any specific rules. By itself, free improvisation can be any genre, it isn't necessarily jazz.
The jazz funk band Freeez started in North London in 1978. [2] Their first single, "Keep In Touch" (1979) was self-funded and produced by John Rocca on his Pink Rhythm Record label [2] (later signed to Calibre/Pye), and included guitarist Jean-Paul 'Bluey' Maunick, who went on to become the initiator of the musical band Incognito.
Bob Baldwin; David Benoit; Alex Bugnon; Brian Culbertson; Eumir Deodato; Terry Disley; George Duke; Ronnie Foster; Jonathan Fritzén; Chris Geith; Tom Grant; Dave Grusin
AllMusic awarded the album 4.5 stars and its review by Michael G. Nastos states, "First date for brothers from 1975. Side one is solid jazz/funk/fusion". [1] At the 1976 Grammy Awards the album received three nominations, for Best R&B Instrumental Performance ("Sneakin’ up Behind You"), Best New Artist and Best Instrumental Arrangement (Randy Brecker for "Some Skunk Funk").
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