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"25 or 6 to 4" is a song written by American musician Robert Lamm, one of the founding members of the band Chicago. It was recorded in August 1969 for their second album, Chicago , with Peter Cetera on lead vocals, [ 1 ] and released as a single in June 1970.
Chicago Transit Authority was a success, yet Chicago is considered by many [by whom?] to be the group's breakthrough album, yielding three singles that made it into the top ten of the Billboard Hot 100, including "Make Me Smile" (number 9), "Colour My World" (number 7), and "25 or 6 to 4" (number 4). [2] Chicago was released in January 1970 on ...
The song was not released as a single until two tracks from the band's second album, "Make Me Smile" and "25 or 6 to 4", had become hits. It became the band's third straight Top 10 single, peaking at No. 7 in the U.S. [3] and No. 2 in Canada. [4] Because the song straddled years in its chart run, it is not ranked on the major U.S. year-end charts.
Chicago's music has long been a staple of marching bands in the U.S. "25 or 6 to 4" was named as the number one marching band song by Kevin Coffey of the Omaha World-Herald, [250] and as performed by the Jackson State University marching band, ranked number seven of the "Top 20 Cover Songs of 2018 by HBCU Bands". [251]
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Terry Alan Kath (January 31, 1946 – January 23, 1978) was an American guitarist and singer who is best known as a founding member of the rock band Chicago.He played lead guitar and sang lead vocals on many of the band's early hit singles alongside Robert Lamm and Peter Cetera.
"Where Do We Go from Here?" [Note 1] is a song from the American rock band Chicago's second studio album, Chicago (1970). It was released as the B-side of the single "25 or 6 to 4", likewise taken from Chicago; that single went to number four on the Pop Singles chart in June 1970.
If You Leave Me Now is the third compilation album by American rock band Chicago.In an attempt to capitalize on the band's second #1 single ("Hard to Say I'm Sorry") as well as its Top 40 follow-up ("Love Me Tomorrow"), Columbia Records built a collection around the Grammy-winning single, which had previously been their only other chart-topper.