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The extended play Gospel Oak (1997) and live album Live at the Sugar Club (2008) were also issued, and O'Connor's compilations consist of five sets—So Far... The Best Of (1997), Sinéad O'Connor: Best Of (2000), She Who Dwells in the Secret Place of the Most High Shall Abide Under the Shadow of the Almighty (2003), Collaborations (2005) and ...
Sinéad Marie Bernadette O'Connor [18] was born on 8 December 1966 at the Cascia House Nursing Home on Baggot Street in Dublin. [1] She was named Sinéad after Sinéad de Valera, the mother of the doctor who presided over her delivery (Éamon de Valera, Jnr.), and Bernadette in honour of Saint Bernadette of Lourdes.
The collection features songs appearing on O'Connor's first four studio albums, along with several non-album collaborations. "Heroine" and "Empire" are also included on O'Connor's 2005 compilation album Collaborations .
It should only contain pages that are Sinéad O'Connor albums or lists of Sinéad O'Connor albums, as well as subcategories containing those things (themselves set categories). Topics about Sinéad O'Connor albums in general should be placed in relevant topic categories .
Goodnight, Thank You, You've Been a Lovely Audience is a DVD featuring Sinéad O'Connor. It was released on 26 August 2003 and contains footage from her goodbye concert in her hometown Dublin in 2002. [ 1 ]
Faith and Courage is the fifth studio album by Irish singer Sinéad O'Connor, released on 13 June 2000, by Atlantic Records.It was O'Connor's first release in three years, her previous album being the greatest hits compilation So Far...
Gospel Oak is an EP by Irish singer Sinéad O'Connor. The album sold 70,000 copies in the United States. [2] The album is named after the London neighbourhood of Gospel Oak where O’Connor was living at the time. [3] The cover photograph shows the two brick skew arch bridges adjacent to Gospel Oak railway station in north London.
Universal Mother is the fourth studio album by Irish singer Sinéad O'Connor, released on 13 September 1994. "That album was the first attempt to try to expose what was really underneath a lot of the anger of the other records," she explained, adding, "George Michael told me he loved that record, but could only listen to it once because it was so painful.