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Other times, these mid- and post-credits scenes serve primarily as gags, such as the post-credits scene in The Avengers (2012), which has the team eating shawarma in a derelict restaurant in the aftermath of the film's climactic battle, or Spider-Man: Homecoming (2017), which features Captain America educating the audience on patience. [8] [9]
Thor: The Dark World is a 2013 American superhero film based on the Marvel Comics character Thor, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. It is the sequel to Thor (2011) and the eighth film in the Marvel Cinematic Universe (MCU).
All Hail the King was released on the digital download release of Thor: The Dark World on February 4, 2014, and on February 25 for the Blu-ray release. [17] It was included on the bonus-disc of the " Marvel Cinematic Universe: Phase Two Collection " box set , which includes all of the Phase Two films in the Marvel Cinematic Universe as well as ...
During the mid-credits scene, Jack views YouTube videos of Greg publicly mocking Jack during a speech promoting Sustengo. Orange: Ram and Jaanu end up together when the credits are rolling. Resident Evil: Afterlife: In an aircraft above Arcadia, Jill Valentine is dictating the attack while wearing a mind control device. The Last Airbender
Following the release of the Marvel Cinematic Universe (MCU) film Iron Man 2 (2010), the timing and distribution arrangement of a possible third Iron Man film was brought into question due to a conflict between Paramount Pictures—the distributor of previous Marvel Studios films including the first two Iron Man films—and Marvel Entertainment's new corporate parent, the Walt Disney Company. [1]
Post-credits scenes may have their origins in encores, an additional performance added to the end of staged shows in response to audience applause. [1] Opera encores were common practice in the 19th century, when the story was often interrupted so a singer could repeat an aria, but fell out of favor in the 1920s due to rising emphasis on dramatic storytelling rather than vocal performance.
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In particular, The Dark World was criticized for adding "absolutely zero development or growth for its main character", resulting in "little enthusiasm for Thor from either audiences or Marvel". [68] Thor: Ragnarok, however, was much better received, to the extent that it has widely been described as saving the Thor franchise. [68]