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[15] [16] The Whitney Museum of American Art was founded in 1930; [17] at this time architect Noel L. Miller was converting three row houses on West 8th Street in Greenwich Village—one of which, 8 West 8th Street had been the location of the Studio Club—to be the museum's home, as well as a residence for Whitney. [18]
It is currently in the collection of the Whitney Museum of American Art. [4] [5] [6] [7]The piece was originally sold to the Whitney for $2,000. [8] It was purchased with funds from Gertrude Vanderbilt Whitney just a few months after it was painted, and would go on to become a part of the Whitney's founding collection.
The Whitney Museum of American Art 's original building is a collection of three 1838 rowhouses at 8–12 West 8th Street, between Fifth Avenue and MacDougal Street, in the Greenwich Village neighborhood of Manhattan in New York City.
In 2000, the work was included in The American Century: Art and Culture, 1950 – 2000 on view at The Whitney Museum of American Art in New York. All twelve light strings were strung vertically side-by-side against a wall in a sunken outdoor courtyard at The Whitney's original Breuer building at 945 Madison Avenue.
945 Madison Avenue, also known as the Breuer Building, is a museum building on the Upper East Side of Manhattan, New York City.The Marcel Breuer-designed structure was built to house the Whitney Museum of American Art; it subsequently held a branch of the Metropolitan Museum of Art and the Frick Collection.
In 2015, the Museum opened its new 220,000-square-foot building designed by Renzo Piano in New York's Meatpacking District, doubling the size of its exhibition space as well as providing state-of-the-art theater, education and conservation facilities. Since that time, the Whitney has increased its annual attendance from 400,000 to 1.2 million ...
On June 19, 1935, Karl R. Free, as "assignor to the Whitney Museum of American Art", was granted U.S. patent number 1,963,124 for an "assembled picture frame". [45] In 1936, Free had a pair of pictures, Acrobats and Fantasia, included in an exhibit at the Art Institute of Chicago. [46]
According to art historian Ann Reynolds, "landscape, body, and dwelling" are the central themes of Simonds' practice. [ 8 ] In 1981, he was commissioned to install Dwellings at the Marcel Breuer -designed building of the Whitney Museum of American Art located at 945 Madison Avenue . [ 6 ]
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