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The Thinker (French: Le Penseur), by Auguste Rodin, is a bronze sculpture depicting a nude male figure of heroic size, seated on a large rock, leaning forward, right elbow placed upon the left thigh, back of the right hand supporting the chin in a posture evocative of deep thought and contemplation. This universally recognized expression of ...
Leochares: Apollo Belvedere.Roman copy of 130–140 AD after a Greek bronze original of 330–320 BC. Vatican Museums. Classical sculpture (usually with a lower case "c") refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD.
In archeology and art history the appearance, and sometimes disappearance, of monumental sculpture (using the size criterion) in a culture, is regarded as of great significance, though tracing the emergence is often complicated by the presumed existence of sculpture in wood and other perishable materials of which no record remains; [7] the totem pole is an example of a tradition of monumental ...
Image credits: JamesLucasIT Sculpture as an art form dates back to 32,000 years B.C. Back then, of course, small animal and human figures carved in bone, ivory, or stone counted as sculptures.
The decentralization of culture throughout these regions and the rise of a wealthy merchant class, consumers of art but with its own values, opened the way for the appreciation of individual taste and the influence of foreign cultural elements, dissolving the rigidity and austerity of High Classicism.
Hellenistic sculpture represents one of the most important expressions of Hellenistic culture, and the final stage in the evolution of Ancient Greek sculpture. The definition of its chronological duration, as well as its characteristics and meaning, have been the subject of much discussion among art historians, and it seems that a consensus is ...
Sculptures and statues can provide a fascinating insight into the time they were made. And sometimes, they contain little “secrets”—details that reveal the mind of the creator, or just make ...
Zhang Qian (−114 BCE) too, the famous traveler to the western regions, had rudimentary stone statues of lions placed at his mausoleum. [11] [12] These precursors of Chinese monumental stone sculpture were probably influenced by their forays deep into Central Asia, where they probably encountered cultures using stone statues. [11]