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The Moody Bluegrass project is a group of Nashville artists who have recorded two tribute albums of Moody Blues songs in the bluegrass style. The first album, Moody Bluegrass – A Nashville Tribute to the Moody Blues , was released in 2004.
The Moody Blues scored three top-ten singles on the Billboard Hot 100, with "Nights in White Satin" reaching number 2 in Billboard and number 1 in Cashbox. On the UK singles chart , the group also had three top-ten hits, with " Go Now " reaching number 1.
"Driftwood" is a 1978 single by the English progressive rock band the Moody Blues. It was the second single released from the album Octave, after "Steppin' in a Slide Zone". Written by Justin Hayward, "Driftwood" is a slow love ballad, in a similar manner to "Nights in White Satin" and "Never Comes the Day."
"Om" is a song by the British progressive rock band the Moody Blues that was released in July 1968 as the final track of their album In Search of the Lost Chord. It was composed by the band's keyboardist, Mike Pinder. "Om" has a heavy Indian influence and sound to it.
"The Voice" is a song written by Justin Hayward that was first released on the Moody Blues' 1981 album Long Distance Voyager and also as its second single. The song continued the success of previous single "Gemini Dream", becoming a Top 40 hit on the Billboard Hot 100, where it peaked at No. 15 in October 1981
It is the only song to have been co-written by all five members of the band. "Procession" is one of the first commercial songs to make use of electronic drums. The instrument in question was a custom drum synth developed by Moody Blues drummer Graeme Edge and Sussex University professor Brian Groves. [1]
It should only contain pages that are The Moody Blues songs or lists of The Moody Blues songs, as well as subcategories containing those things (themselves set categories). Topics about The Moody Blues songs in general should be placed in relevant topic categories .
[18] The song is sung by the band's four singers, though Edge made an attempt at singing the song during the sessions. "The Tortoise and the Hare", written by bassist John Lodge, takes direct inspiration from the fable by Aesop. He sees the song as a metaphor for the band: "It was really a sort of analogy, really, of the Moody Blues.