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It depicts Jesus Christ on the cross in a darkened sky floating over a body of water complete with a boat and fishermen. Although it is a depiction of the crucifixion, it is devoid of nails, blood, and a crown of thorns, because, according to Dalí, he was convinced by a dream that these features would mar his depiction of Christ. Also in a ...
Christ Crucified (Velázquez) Christ of Saint John of the Cross; Christ on the Cross (Murillo) Crucifix (Cimabue, Arezzo) Crucifix (Cimabue, Santa Croce) The Crucifixion (Cranach) Cristo de Chircales; Crucified Christ (Cosmè Tura) Crucifix of Pisa; Crucifixion (Tintoretto) Crucifixion (Titian) Crucifixion (1933) Crucifixion (Corpus Hypercubus)
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Station 4 appears out of order from scripture; Jesus's mother is present at the crucifixion but is only mentioned after Jesus is nailed to the cross and before he dies (between stations 11 and 12). The scriptures contain no accounts whatsoever of any woman wiping Jesus's face nor of Jesus falling as stated in Stations 3, 6, 7 and 9.
The crucifixion of Jesus was the death of Jesus by being nailed to a cross. [note 1] It occurred in 1st-century Judaea, most likely in AD 30 or AD 33.It is described in the four canonical gospels, referred to in the New Testament epistles, and later attested to by other ancient sources.
The guards were taunting Jesus, as he lay nailed to the cross, nagging him for being the King of the Jews. However, the crown no longer has a negative association. The crown now demonstrates that Christ died a king. In addition, the thorns and blood represent the outcast and torture of Christ leading up to his crucifixion. [citation needed]
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Christ on the Cross (1620) by Rubens. Christ on the Cross, Christ between the two murderers or Le Coup de Lance is a 1620 painting of the Crucifixion of Jesus by Peter Paul Rubens, originally intended for the Convent of the Friars Minor. [1] It is now in the Koninklijnk Museum voor Schone Kunsten in Antwerp.
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