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The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the ...
Catholic theologian Ludwig Ott in his authoritative Fundamentals of Catholic Dogma, under the section "The Divine Work of Creation", (pages 92–122) covers the "biblical hexahemeron" (the "six days" of creation), the creation of man, Adam/Eve, original sin, the Fall, and the statements of the early Fathers, saints, church councils, and popes ...
Genesis 1 tells of God's creation of the world and its creatures, including the Hebrew word adam, meaning humankind. In Genesis 2 God forms "Adam", this time meaning a single male human, out of "the dust of the ground", places him in the Garden of Eden, and forms a woman, Eve, as his companion.
Gnostics discussed Adam and Eve in two known surviving texts, namely the "Apocalypse of Adam" found in the Nag Hammadi documents and the Testament of Adam. The creation of Adam as Protoanthropos, the original man, is the focal concept of these writings. Another Gnostic tradition held that Adam and Eve were created to help defeat Satan.
In Genesis, these include the two creation stories, three different wife–sister narratives, and the two versions of Abraham sending Hagar and Ishmael into the desert. [ 15 ] [ page needed ] According to the documentary hypothesis, J was produced during the 9th century BC in the southern Kingdom of Judah and was believed to be the earliest source.
The Qur'an holds many of the core concepts of creationism, including a 6-day creation, Adam and Eve, Enoch, and Noah's ark, but also provides some details absent from Genesis, including reference to a fourth son of Noah who chose not to enter the ark. Through Islam, creation beliefs and monotheism replace paganism among the Arabs. [citation needed]
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The story of Adam's creation evokes the idea of Adam as the "Primordial Man" to whom the angels need to prostrate themselves as a sign of respect. In a comment on Tafsir al-Baydawi , Gibril Haddad explains "he is also an archetype for the Attributes of Allah Most High such as His life, knowledge and power, although an incomplete one."