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The balance of the opening two lines bursts out into a dual Magnificat of declaring the greatness of and finding delight in God. The third stanza again demonstrates parallelism, but in this instance, three contrasting parallels: the proud are reversed by the low estate, the mighty by those of low degree, and the rich by the hungry.
Panis angelicus (Latin for "Bread of Angels" or "Angelic Bread") is the penultimate stanza of the hymn "Sacris solemniis" written by Saint Thomas Aquinas for the feast of Corpus Christi as part of a complete liturgy of the feast, including prayers for the Mass and the Liturgy of the Hours.
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(Tobit 12,15) The other two angels mentioned by name in the Bibles used by Catholics and Protestants are the archangel Michael and the angel Gabriel; Uriel is named in 2 Esdras (4:1 and 5:20) and Jerahmeel is named in 2 Esdras 4:36, a book that is regarded as canonical by the Ethiopian Orthodox Church, the Georgian and Russian Orthodox Churches ...
The seven trumpets are sounded by seven angels and the events that follow are described in detail from Revelation Chapters 8 to 11. According to Revelation 8:1–2 the angels sound these trumpets after the breaking of the seventh seal. These seals secured the apocalyptic document held in the right hand of Him who sits on the throne. [1]
Their loud uplifted angel-trumpets blow, And the Cherubic host in thousand quires Touch their immortal harps of golden wires, With those just Spirits that wear victorious palms, Hymns devout and holy psalms Singing everlastingly: That we on earth with undiscording voice May rightly answer that melodious noise; As once we did, till ...
The third motet begins Duo Seraphim (Two angels were calling one to the other), a text combined from Isaiah 6:2–3 and the First Epistle of John, 5:7. Monteverdi set it for three tenors. The first part, talking about the two angels, is a duet. When the text turns to the epistle mentioning the Trinity, the third tenor joins.
John Tenniel, St. Cecilia (1850) illustrating Dryden's ode, in the Parliament Poets' Hall "A Song for St. Cecilia's Day" (1687) is the first of two odes written by the English Poet Laureate John Dryden for the annual festival of Saint Cecilia's Day observed in London every 22 November from 1683 to 1703.