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Russell, Raymond, The Harpsichord and Clavichord: an introductory study, 2nd ed., London : Faber and Faber, 1973. ISBN 0-571-04795-5; Yorke, James, Keyboard Instruments at the Victoria and Albert Museum, Victoria and Albert Museum, London 1986. ISBN 0-948107-04-9
The Harpsichord Owner's Guide. Chapel Hill: University of North Carolina Press. Kottick, Edward (2003). A History of the Harpsichord. Indiana University Press. ISBN 0-253-34166-3. An extensive survey by a leading contemporary scholar. Russell, Raymond (1973). The Harpsichord and Clavichord: an introductory study (2nd ed.). London: Faber and Faber.
Much of the musical repertoire written for harpsichord and organ from the period circa 1400–1800 can be played on the clavichord; however, it does not have enough (unamplified) volume to participate in chamber music, with the possible exception of providing accompaniment to a soft baroque flute, recorder, or single singer.
The harpsichord is typical of the early and ornate work of Jacob Kirckman, with an organ case that matches the marquetry and elaborate figured veneer of the harpsichord. The harpsichord stop levers are laid out in the conventional fashion on either side of the name-board, with the organ stops being placed at either side of the keyboards with a ...
What primarily distinguishes the spinet is the angle of its strings: whereas in a full-size harpsichord, the strings are at a 90-degree angle to the keyboard (that is, they are parallel to the player's gaze); and in virginals they are parallel to the keyboard, in a spinet the strings are at an angle of about 30 degrees to the keyboard, going ...
Both makers' clavichords had strings an octave higher in the bass register of the instrument, which Bach disliked. [6] [19] Bach may have acted as Friederici's agent; [20] Forkel wrote that Bach was selling fortbiens in 1773. [17] The Mozart family owned two instruments by Friederici: a two-manual harpsichord and possibly a clavichord. [21]
Harpsichord building was often considered a lesser side job for organ builders, while some few were specialized in either harpsichord or clavichord building. [ 1 ] Note that in the German speaking world the harpsichord was only one of several instruments referred to as clavier, and keyboard instruments seem to have been used more ...
Pedal keyboards were developed for the clavichord and harpsichords during the Baroque era so that organists could practise the pedal parts of their organ repertoire when they had no-one available to work the bellows for a church organ or, in the wintertime, to avoid having to practice on a church organ in an unheated church.
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