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[54] A number of other commentators share this opinion, [57] with the consensus of the Jesus Seminar being that verses Luke 10:36–37 [58] were added by Luke to "connect with the lawyer's question." [ 52 ] On the other hand, the "keen rabbinic interest in the question of the greatest commandment " [ 57 ] may make this argument invalid, in that ...
Luke 10 is the tenth chapter of the Gospel of Luke in the New Testament of the Christian Bible. It records the sending of seventy disciples by Jesus, the famous parable about the Good Samaritan , and his visit to the house of Mary and Martha . [ 1 ]
Christ in the House of Martha and Mary by Tintoretto, 1570s. Jesus at the home of Martha and Mary, in art usually called Christ in the House of Martha and Mary, and other variant names, is a Biblical episode in the life of Jesus in the New Testament which appears only in Luke's Gospel (Luke 10:38–42), immediately after the Parable of the Good Samaritan (Luke 10:25–37). [1]
[10] Cornelius a Lapide in his great commentary [11] gives the traditional interpretation of this parable, writing that: "Christ shows by a threefold similitude, that His disciples must not fast when He was present. 1. By the parable of the Spouse and the wedding. 2. Of the old and new garment. 3. Of the new wine, and the old bottles of skin.
Luke uses the terms "Jews" and "Israelites" in a way unlike Mark, but like John. Both gospels have characters named Mary of Bethany, Martha, and Lazarus, although John's Lazarus is portrayed as a real person, while Luke's is a figure in a parable. There are several points where Luke's passion narrative resembles that of John.
Matthew 25:14–30: The Pounds or the Minae: Luke 19:11–27 The Two Debtors: Luke 7:41–43 The Good Samaritan: Luke 10:37 The Friend at Midnight: Luke 11:5–8 The Unjust Judge: Luke 18:1–8 The Rich Fool: Luke 12:16–21 Dives and Lazarus: Luke 16:19–31 The Great Supper: Luke 14:15–24 The Prodigal Son: Luke 15:11–32 The Unjust Steward ...
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The parable of the Good Samaritan (Luke 10:30-37) [5] complemented by a series of Old and New Testament typologies served as a popular subject for cathedral glazing programs in the thirteenth century. [6] Three French cathedral windows fabricated between 1200 and 1215 function in this way: Sens (c.1200), Chartres (1205/1215), [7] and Bourges (c ...