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The Symphony quotes Shostakovich's song Vozrozhdenije (Op. 46 No. 1, composed in 1936–37), most notably in the last movement; the song is a setting of a poem by Alexander Pushkin (find text and a translation here) that deals with the matter of rebirth.
Dedicated to Maxim Shostakovich. [168] 103 Symphony No. 11 in G minor "The Year 1905" Orchestra 1957 Along with the Russian revolutionary songs utilized in the symphony, Shostakovich also quoted an extract from Sviridov's operetta Sparks. [169] Three Choruses for the Fortieth Anniversary of the October Revolution: SATB chorus and piano 1957
"Farewell, Amanda", written by Cole Porter for the 1949 Spencer Tracy and Katharine Hepburn film Adam's Rib, draws liberally from the 4th movement of Tchaikovsky's 5th Symphony. [3] It is suggested by Ian MacDonald that a fragment of the "fate" theme is quoted by Dmitri Shostakovich in his Symphony No. 7 in the "invasion" theme of the first ...
A quotation from Gioacchino Rossini's William Tell Overture recurs throughout the first movement, while the last movement quotes from a song by Mikhail Glinka and from Richard Wagner's Götterdämmerung and Tristan und Isolde. Critics have also detected in the symphony further quotations and allusions, from other composers as well as ...
Symphony No. 5 may refer to: Symphony No. 5 ... Symphony No. 5 (Shostakovich) in D minor ... This page was last edited on 23 February 2024, ...
The holograph sketches and score, as well as a photocopy of the latter authorized by Shostakovich in the 1960s are held in his family archives in Moscow. [10] The sketch, which is damaged by two horizontal folds [11] and includes sketches for the Symphony No. 4, [10] is complete on a single sheet of 30-staff score paper, while the score is on 4 pages of 36-staff paper.
Dmitri Dmitriyevich Shostakovich [a] [b] (25 September [O.S. 12 September] 1906 – 9 August 1975) was a Soviet-era Russian composer and pianist [1] who became internationally known after the premiere of his First Symphony in 1926 and thereafter was regarded as a major composer.
I will never forget being at the last concert that [Shostakovich] attended—in the spring of 1975, the premiere of the Four Verses of Captain Lebyadkin. The hall only half filled. Shostakovich, a premiere, and a half-filled Small Hall of the [Moscow] Conservatory! There was a general impression of exhaustion with Shostakovich.
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