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Near the beginning and at the end of the song, a field recording of fans in Liverpool's Anfield singing "You'll Never Walk Alone" is superimposed over the music. [8] This Rodgers and Hammerstein song became the anthem of Liverpool F.C. after Gerry and the Pacemakers had a number one hit on the UK Singles Chart with their recording.
The closing credits medley featured them singing "We Shall Not Be Moved" and "You'll Never Walk Alone". [ 29 ] In Great Britain in the 1980s the song was used by the popular British wrestler Big Daddy as his walk-on music, which would be greeted by cheers from the fans.
"You'll Never Walk Alone" is a show tune from the 1945 Rodgers and Hammerstein musical Carousel. In the second act of the musical, Nettie Fowler, the cousin of the protagonist Julie Jordan, sings "You'll Never Walk Alone" to comfort and encourage Julie when her husband, Billy Bigelow, the male lead, stabs himself with a knife whilst trying to run away after attempting a robbery with his mate ...
You'll Never Walk Alone" is a song from the 1945 musical Carousel. You'll Never Walk Alone may also refer to: You'll Never Walk Alone (Doris Day album), studio album; You'll Never Walk Alone (Elvis Presley album), compilation; You'll Never Walk Alone (Ray Donovan), television episode
The Davidiad is an epic poem that details the ascension and deeds of David, the second king of the United Kingdom of Israel and Judah.. The Davidiad (also known as the Davidias [1]) is the name of an heroic epic poem in Renaissance Latin by the Croatian national poet and Renaissance humanist Marko Marulić (whose name is sometimes Latinized as "Marcus Marulus").
This song shares inspirational overtones with the song "You'll Never Walk Alone" from Carousel.They are both sung by the female mentor characters in the shows, and are used to give strength to the protagonists in the story, and both are given powerful reprises at the end of their respective shows.
The single "You'll Never Walk Alone", an adaptation of the Oscar Hammerstein II and Richard Rodgers standard, was a minor hit for him in the late 1960s.Although technically a secular show tune, Elvis and RCA treated it as a religious song, as reflected in the original 1967 single and the fact it was often included on compilations of Presley's religious music, such as this album.
The natural environment of the Pacific Northwest was the subject of much of David Wagoner's poetry. He cited his move from the Midwest as a defining moment: "[W]hen I came over the Cascades and down into the coastal rainforest for the first time in the fall of 1954, it was a big event for me, it was a real crossing of a threshold, a real change of consciousness.