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Bladder symptoms affect women of all ages. However, bladder problems are most prevalent among older women. [79] Women over the age of 60 years are twice as likely as men to experience incontinence; one in three women over the age of 60 years are estimated to have bladder control problems. [73] One reason why women are more affected is the ...
"Beat Goes On" was certified platinum in Brazil for selling over 60,000 digital downloads. It also charted inside the top-twenty in Finland and on the Canadian Hot 100 chart. The song was performed live during the Sticky & Sweet Tour , featuring Madonna and her dancers on a 1935 Auburn Speedster , while Williams and West appeared in the video ...
Enuresis is a repeated inability to control urination. [2] Use of the term is usually limited to describing people old enough to be expected to exercise such control. [3] Involuntary urination is also known as urinary incontinence. [4] The term "enuresis" comes from the Ancient Greek: ἐνούρησις, romanized: enoúrēsis.
A post-void residual urine greater than 50 ml is a significant amount of urine and increases the potential for recurring urinary tract infections. [ citation needed ] In adults older than 60 years, 50-100 ml of residual urine may remain after each voiding because of the decreased contractility of the detrusor muscle . [ 7 ]
A female urinal is a urinal designed for the female anatomy to allow for ease of use by women and girls. Different models enable urination in standing, semi-squatting , or squatting postures, but usually without direct bodily contact with the toilet .
Not a single one of those women looked over 40, let The ladies are all pushing 80 -- Mimi is 75, Annette is 72 and Linda is 71 -- but they look decades younger. 'Steve Harvey' features women in ...
Thirty-two million people attend music festivals every year in the U.S. Over half (51 percent) of those attendees are women. But on stage, the demographics are very different. Coachella’s 2016 lineup included 168 male artists and just 60 female artists — a figure that includes both all-female and mixed-gender acts.
The backing music for the song was recorded using a group of Los Angeles session musicians nicknamed "The Wrecking Crew."The arrangement is credited to Harold Battiste, but Wrecking Crew bassist Carol Kaye asserts that at the session she devised the distinctive syncopated bass line that is featured on the released recording, replacing the original walking bass line in the prepared arrangement: